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Apocalypse of the Alien God Dylan M. Burns

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Apocalypse of the Alien God By Dylan M. Burns

Apocalypse of the Alien God by Dylan M. Burns


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Summary

Apocalypse of the Alien God shows that the fundamental break between the Platonic tradition and Judeo-Christianity began when the mystic Plotinus rejected the teachings of the Sethians, an influential group of Gnostics who operated at the intersection of Hellenic, Jewish, and Christian thought.

Apocalypse of the Alien God Summary

Apocalypse of the Alien God: Platonism and the Exile of Sethian Gnosticism by Dylan M. Burns

In the second century, Platonist and Judeo-Christian thought were sufficiently friendly that a Greek philosopher could declare, "What is Plato but Moses speaking Greek?" Four hundred years later, a Christian emperor had ended the public teaching of subversive Platonic thought. When and how did this philosophical rupture occur? Dylan M. Burns argues that the fundamental break occurred in Rome, ca. 263, in the circle of the great mystic Plotinus, author of the Enneads. Groups of controversial Christian metaphysicians called Gnostics ("knowers") frequented his seminars, disputed his views, and then disappeared from the history of philosophyuntil the 1945 discovery, at Nag Hammadi, Egypt, of codices containing Gnostic literature, including versions of the books circulated by Plotinus's Christian opponents. Blending state-of-the-art Greek metaphysics and ecstatic Jewish mysticism, these texts describe techniques for entering celestial realms, participating in the angelic liturgy, confronting the transcendent God, and even becoming a divine being oneself. They also describe the revelation of an alien God to his elect, a race of "foreigners" under the protection of the patriarch Seth, whose interventions will ultimately culminate in the end of the world.
Apocalypse of the Alien God proposes a radical interpretation of these long-lost apocalypses, placing them firmly in the context of Judeo-Christian authorship rather than ascribing them to a pagan offshoot of Gnosticism. According to Burns, this Sethian literature emerged along the fault lines between Judaism and Christianity, drew on traditions known to scholars from the Dead Sea Scrolls and Enochic texts, and ultimately catalyzed the rivalry of Platonism with Christianity. Plunging the reader into the culture wars and classrooms of the high Empire, Apocalypse of the Alien God offers the most concrete social and historical description available of any group of Gnostic Christians as it explores the intersections of ancient Judaism, Christianity, Hellenism, myth, and philosophy.

Apocalypse of the Alien God Reviews

"An original contribution to scholarship on the nature of the four Platonizing Sethian treatises from Nag Hammadi, challenging the consensus concerning their relationship to the academic Greek philosophy of Middle Platonism and the Neoplatonism of Plotinus and his early successors. Clearly and compellingly written, Apocalypse of the Alien God is a must for scholars in the field of Gnosticism and later Greek philosophy." * John D. Turner, University of Nebraska, Lincoln *

About Dylan M. Burns

Dylan M. Burns is Research Associate at Leipzig University.

Table of Contents

Abbreviations
Introduction
Chapter 1. Culture Wars
Chapter 2. Plotinus Against His Gnostic Friends
Chapter 3. Other Ways of Writing
Chapter 4. The Descent
Chapter 5. The Ascent
Chapter 6. The Crown
Chapter 7. Between Judaism, Christianity, and Neoplatonism
Appendix: Reading Porphyry on the Gnostic Heretics and Their Apocalypses
Notes
Bibliography
Index

Additional information

GOR013783372
9780812245790
0812245792
Apocalypse of the Alien God: Platonism and the Exile of Sethian Gnosticism by Dylan M. Burns
Used - Like New
Hardback
University of Pennsylvania Press
2014-02-19
344
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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