From the first pages, describing the atrocities endured aboard the slave ships, this is a fascinating, harrowing historical epic told in rich, unflinching prose.-Publishers Weekly * Publishers Weekly *
The Martinican writer Edouard Glissant is that rare hybrid: an elastic, shapeshifting writer who swings between theory and creative work with the greatest of ease and accomplishment. A towering figure of postcolonial scholarship . . . he is also a poet, playwright, and, as evidenced here, a bold and supple novelist. With The Fourth Century we get the full effect of his overarching project: a literary exorcism of Martinique's scarred psyche and past, a lingering cry against the 'black hole of time and forgetting'. . . . Papa Longoue's sessions with Mathieu, like Glissant's novel itself, burn with the urgency of a recovery mission. With this novel, Glissant has powerfully conjured up the 'centuries knotted together by unknown blood, voiceless suffering, death without echo.'-Village Voice * Village Voice *
A playwright, critic, essayist and novelist, Edouard Glissant is one of the most significant figures in Caribbean literature. Born in Martinique in 1928, he's written more than two dozen books. His ideas about language, history, and imperialism have influenced writers such as Patrick Chamoiseau and Raphael Confiant and are eagerly examined in universities where Francophone and post-colonial studies are taught. Many of Glissant's books have yet to be translated into English, which may be why he is not as well known among American readers as he deserves to be. The Fourth Century, a 1964 novel newly translated into English, should bring him more attention and appreciation. . . . His story begins in 1788, when Longoue and Beluse, the progenitors of the two clans, arrive in Martinique as captives on a slave ship called the Rose-Marie. . . . At the end of his fascinating 'indefinable chronicle,' Glissant saves his harshest comments for those characters who've made no attempt to hold on to their identities, who've willfully forgotten their connection to the vast Atlantic and the infinite continent on the other side. 'They had renounced not simply their past,' he writes, 'but even so much as the idea that they might have had one.-Washington Post * Washington Post *
This award-winning novel by a noted Caribbean author explores the history, culture, and myth of his native Martinique. . . . Glissant is a poet as well, and his prose often borders on poetry. . . .The result is a richly textured novel with vivid images.-Booklist * Booklist *
The modern history of Martinique is embedded in this colorful chronicle . . . of the interrelationships and rivalries of two families whose founders were brought to the island as slaves in 1788. . . . It's a heady brew, sometimes sensuously dramatic. . . . Many brilliant moments . . . along with slave rebellions and hurricanes, omnipresent zombies and spirits, and a powerful impression of the human cost of racial oppression , miscegenation, and madness. In its best moments, this turbulent tale becomes something very like a Caribbean Absalom, Absalom!-Kirkus Reviews * Kirkus Reviews *
