Katan's work offers the first book-length publication on the topic ... which provided insights into the genesis, in-class practice, and vocabulary of Gaga. ... Katan's Embodied Philosophy in Dance is a useful guide for dancers from all disciplines who want to increase their awareness in the studio. Moreover, this book is a recommended introductory reading for those who still underestimate the legitimacy of dance as a source of knowledge. (Melissa Melpignano, Dance Research Journal, Vol. 49 (2), August, 2017)
Katan-Schmid (Humboldt Univ. of Berlin, Germany) explores the idea that dance is more than a conveyor of philosophical meaning. ... This exhaustive investigation of Gaga will be useful to those seeking to delineate the inner workings of Gaga's physical, embodying process and how that process is manifested in performance. Summing Up: Recommended. Upper-division undergraduates through faculty and professionals. (E. McPherson, Choice, Vol. 54 (9), May, 2017)The book thus has relevance for both readers who specialize in one of the philosophical discourse methods and traditions incorporated as well as for dancers, dance makers, critics, and other readers who are used to describing and capturing a moving process and form like dance in words. It also provides a comprehensive resource for all philosophers of art who focus on artistic practice, performance, and stage- or studio-outward aspects of the art of which we are philosophizing. (Aili Bresnahan, Journal for Aesthetics and Art Criticism, 2017)
Katan-Schmid ... adds a much-needed, thorough exploration of Gaga, highlighting its philosophical, physical, mental, sensual, imaginative, and perceptual possibilities. ... Embodied Philosophy will be of interest to somatic practitioners and researchers, as well as dancers and choreographers. ... Without doubt, Embodied Philosophy will be invaluable for current and future Gaga dancers and educators and scholars mining the riches of Gaga. (Hiie Saumaa, Dance Chronicle, Vol. 40 (3), 2017)
Part I. Embodied Philosophy in Dance.- Chapter 1. Dance and Philosophy.- Chapter 2. Dance as Embodied Philosophy.- Chapter 3. Habitus, Embodied Knowledge and Physical Intelligence.- Chapter 4. Embodied Reflections.- Part II. The Sensual Emphasis of Gaga.- Chapter 5. Float!.- Chapter 6. Enacting Perception.- Chapter 7. Extending Perception.- Chapter 8. Dancing Metaphors.- Chapter 9. The Phenomenological Method of Gaga.- Part III. The Mental Emphasis of Gaga.- Chapter 10. Connect Effort into Pleasure!.- Chapter 11. The Challenge of a Perceptual Gap Between Body and Mind.- Chapter 12. The Involvement of Psychology and Physicality.- Chapter 13. Comprehending Emotions.- Chapter 14. Intentionality and the Aesthetic Will.- Part VI. Gaga.- Chapter 15. Multitasking Inquiries.- Chapter 16. Decision Making.- Chapter 17. The Intelligible Form.- Chapter 18. Rhythm.- Chapter 19. The Physical Practice of Intelligence.- Part V. The Moving Forms of Dancing Gaga.- Chapter 20. Bellus.- Chapter 21. The Dancing Body as Means of Expression.- Chapter 22. Understanding Expressions.- Chapter 23. Moving Forms of Dance.