In the tradition of French poets like Francis Ponge, Pierre Reverdy, and Rene Char, The Tranquilized Tongue offers a series of prose meditations in the form of surrealist declaratives, each sentence unfolding like an alchemical riddle in which sounds, images, and figures appear, dissolve, and re-emerge to offer a glimpse of a complex unconscious roiling below the surface of everyday reality. Sometimes a paragraph, sometimes a sentence, occasionally just a fragment, each poem in The Tranquilized Tongue is a portal to new perspective on the everyday materials of reality as constituted through language itself. The postmodern classicism of language poetry meets the modernist romanticism of surrealism to startling effect in Baus's cabinet of curiosities. The eleventh volume of the City Lights Spotlight Poetry Series, The Tranquilized Tongue places Baus alongside such contemporary purveyors of the marvelous and speculative as Andrew Joron and Will Alexander. Eric Baus received an MFA from the University of Massachusetts at Amherst, where he studied with Peter Gizzi. Author of three previous poetry collections, including the prizewinning volumes The To Sound (2004) and The Scared Text (2011), Baus lives in Denver, Colorado, where he teaches writing and literature, works on digital audio archives of poetry, and co-edits Marcel Chapbooks. The poems comprising The Tranquilized Tongue propose a unique blend of Persian miniature and habanero pepper. The book is aburst with unremitting predication, each poem a merciless thought machine. --Nathaniel Mackey For over a decade now, Eric Baus has been one of the leading practitioners of a new kind of poem, one that draws as equally on the legacy of surrealism, the nouveau roman, and even the language poets, as it does on the Deep Listening practice of Pauline Oliveros, Alvin Lucier's forays into resonant sound, the films of Charles and Ray Eames, and the voiceover of Sir David Attenborough narrating our insect and animal worlds. The Tranquilized Tongue speaks to us in a music capable of condensing geologic time into that of a microtonal interval: weird, warped, a little wobble on its newly hatched legs, this is a book where the word The will follow you like a gosling. --Noah Eli Gordon Special objects in our multiple world--from eggs to kings, from bees to caskets, from wings to statues--spawn themselves with other teeming objects in a fertile generation of aphoristic actions calmed by the clarity of prose poems framed as linked short stories. The scintillating tensions between febrile nouns, adjectival properties, and active claims all in their phonemic bliss create an elegant surrealism charged with the primary mystery of Baus's lexicon. --Rachel Blau DuPlessis Beginning with the Pocket Poets Series and the publication of Howl, City Lights has played a vital role in American poetry for over 50 years. City Lights Spotlight shines a light on the wealth of innovative American poetry being written today, publishing accomplished figures known in the poetry community as well as young emerging poets, using the cultural visibility of City Lights to bring their work to a wider audience. In doing so, we also seek to draw attention to those small presses publishing such authors. As City Lights founder, Lawrence Ferlinghetti, wrote in his recent Poetry as Insurgent Art, If you would be a poet, experiment with all manner of poetics ...to create your own limbic, your own underlying voice, your ur voice. With City Lights Spotlight, we seek to maintain this standard of innovation and inclusiveness, publishing highly original poetry from across the cultural spectrum, and reaffirming our longstanding commitment to this most ancient and stubbornly enduring form of art.