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Only at Comic-Con Erin Hanna

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Only at Comic-Con By Erin Hanna

Only at Comic-Con by Erin Hanna


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Summary

Only at Comic-Con examines the relationship between exclusivity and the proliferation of media industry promotion at the San Diego Comic-Con, from the convention's founding in 1970 to its current status as a destination for hundreds of thousands of pop culture fans and a hub of Hollywood hype and buzz.

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Only at Comic-Con Summary

Only at Comic-Con: Hollywood, Fans, and the Limits of Exclusivity by Erin Hanna

When the San Diego Comic-Con was founded in 1970, it provided an exclusive space where fans, dealers, collectors, and industry professionals could come together to celebrate their love of comics and popular culture. In the decades since, Comic-Con has grown in size and scope, attracting hundreds of thousands of fans each summer and increased attention from the media industries, especially Hollywood, which uses the convention's exclusivity to spread promotional hype far and wide. What made the San Diego Comic-Con a Hollywood destination? How does the industry's presence at Comic-Con shape our ideas about what it means to be a fan? And what can this single event tell us about the relationship between media industries and their fans, past and present? Only at Comic-Con answers these questions and more as it examines the connection between exclusivity and the proliferation of media industry promotion at the longest-running comic convention in North America.

Only at Comic-Con Reviews

This is an important book for fan studies and beyond. Not only a brilliant exploration of Comic-Con's history and place in contemporary culture, it also takes seriously aspects of this experience that have been under-researched. What are the meanings and values of waiting in line? How does Hall H operate? And how have licensees become so central to the event? Assessing fans' liminal positioning, Erin Hanna acutely theorises 'exclusivity' and its (re)configurations. Start the queue here- this is a must-read for anyone interested in aspirational and affective labor, as well as Hollywood's attempts to build cultural capital for its blockbusters.

This exciting, well-researched book situates Comic-Con within the confluence of fandom, industry, and convergence. Erin Hanna expertly reveals how industry efforts to generate publicity for major media brands hinge on the production of exclusivity for a select number of fans.

About Erin Hanna

ERIN HANNA is an assistant professor of cinema studies at the University of Oregon in Eugene.

Table of Contents

Contents
Introduction: The San Diego Comic-Con and the Limits of Exclusivity
1 Origin Stories: Comic-Con and the Future of All Media
2 The Liminality of the Line and the Place of Fans at Comic-Con
3 Manufacturing Hall H Hysteria: Hollywood and Comic-Con
4 Ret(ail)con: From Dealers' Room to Exhibit Hall
Conclusion: From Franchise Wars to Fry Fans: Comic-Con Anywhere
Acknowledgments
Notes
Bibliography
Index

Additional information

CIN0813594707VG
9780813594705
0813594707
Only at Comic-Con: Hollywood, Fans, and the Limits of Exclusivity by Erin Hanna
Used - Very Good
Paperback
Rutgers University Press
20191213
300
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

Customer Reviews - Only at Comic-Con