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Late Antique and Medieval Art of the Mediterranean World Eva R. Hoffman (Tufts University)

Late Antique and Medieval Art of the Mediterranean World By Eva R. Hoffman (Tufts University)

Late Antique and Medieval Art of the Mediterranean World by Eva R. Hoffman (Tufts University)


Summary

* A comprehensive anthology offering a new approach to the visual arts classified as Early Christian-Byzantine. * Comprised of essays from experts in the field that integrate the newer, historiographical research into 'the canon' of established scholarship.

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Late Antique and Medieval Art of the Mediterranean World Summary

Late Antique and Medieval Art of the Mediterranean World by Eva R. Hoffman (Tufts University)

Late Antique and Medieval Art of the Mediterranean World is a much-needed teaching anthology that rethinks and broadens the scope of the stale and limiting classifications used for Early Christian-Byzantine visual arts.

  • A comprehensive anthology offering a new approach to the visual arts classified as Early Christian-Byzantine
  • Comprised of essays from experts in the field that integrate the newer, historiographical research into 'the canon' of established scholarship
  • Exposes the historical, geographical and cultural continuities and interactions in the visual arts of the late antique and medieval Mediterranean world
  • Covers an extensive range of topics, including the effect that converging cultures in late antiquity had on art, the cultural identities that can be observed by looking at difference of tradition in visual art, and the variance of illuminations in holy books

Late Antique and Medieval Art of the Mediterranean World Reviews

This volume brings together with much intelligence key essays from across the fields of Ancient, Late Antique, Early Christian, Byzantine, Medieval, and Islamic art and architecture. (David Roxburgh, Harvard University)

This is a very useful volume of important papers by scholars working on all the different cultures that surrounded the Mediterranean from Late Antiquity on, and juxtaposes them to shed light on their complex interactions and interdependence. (Tony Eastmond, University of Courtauld)

About Eva R. Hoffman (Tufts University)

Eva R. Hoffman is Associate Professor and Faculty Coordinator for World Art Surveys at Tufts University.

Table of Contents

List of Contributors.

List of Illustrations.

Series Editor's Preface.

Editor's Acknowledgments.

Acknowledgments to Sources.

Introduction: Remapping the Art of the Mediterranean.

Part I: Late Antiquity: Converging Cultures, Competing Traditions. Pagan, Jewish, Christian, and Sasanian Art.

1. The Changing Nature of Roman Art and the Art-Historical Problem of Style: Jas Elsner.

2. Good and Bad Images from the Synagogue of Dura Europos: Contexts, Subtexts, Intertexts: Annabel Jane Wharton.

3. Exotic Taste: The Lure of Sasanian Persia: Anna Gonosova.

4. Dionysiac Motifs: Richard Ettinghausen.

Part II: Continuities: Tradition and Formation of Cultural Identities.

5. The Good Life: Henry Maguire.

6. Hellenism and Islam: G. W. Bowersock.

7. The Draped Universe of Islam: Lisa Golombek.

Part III: Image and Word: Early Medieval, Byzantine, and Islamic Art.

8. The Beginnings of Biblical Illustration: John Lowden.

9 Sacred Image, Sacred Power: Gary Vikan.

10. The Umayyad Dome of the Rock in Jerusalem: Oleg Grabar.

11. The Image of the Word: Notes on the Religious Iconography of Islam: Erica.

Cruikshank Dodd.

12. Islam, Iconoclasm, and the Declaration of Doctrine: G. R. D. King.

Part IV: Local Syncretistic Traditions: Jews, Muslims, and Christians.

13. Hebrew Book Illumination in the Fatimid Era: Rachel Milstein.

14. An Icon at Mt. Sinai and Christian Painting in Muslim Egypt during the Thirteenth and Fourteenth Centuries: Robert S. Nelson.

Part V: Luxury Arts and the Representation of the Court.

15. The Cup of San Marco and the Classical in Byzantium: Ioli Kalavrezou.

16. Images of the Court: Henry Maguire.

17. But Is It Art?: Robin Cormack.

Part VI: Expanding Boundaries: Spain, Sicily, Venice, and Beyond.

18. Pathways of Portability: Islamic and Christian Interchange from the Tenth to the Twelfth Century: Eva R. Hoffman.

19. Islam, Christianity, and the Problem of Religious Art: Jerrilyn D. Dodds.

20. The Medieval Object-Enigma, and the Problem of the Cappella Palatina in Palermo: William Tronzo.

21. Venice and Islam in the Middle Ages: Some Observations on the Question of Architectural Influence: Deborah Howard.

Index

Additional information

CIN140512072XG
9781405120722
140512072X
Late Antique and Medieval Art of the Mediterranean World by Eva R. Hoffman (Tufts University)
Used - Good
Paperback
John Wiley and Sons Ltd
2007-03-22
448
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in good condition, but if you are not entirely satisfied please get in touch with us

Customer Reviews - Late Antique and Medieval Art of the Mediterranean World