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Objects of Translation Finbarr Flood

Objects of Translation By Finbarr Flood

Objects of Translation by Finbarr Flood


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Objects of Translation Summary

Objects of Translation: Material Culture and Medieval Hindu-Muslim Encounter by Finbarr Flood

Objects of Translation offers a nuanced approach to the entanglements of medieval elites in the regions that today comprise Afghanistan, Pakistan, and north India. The book--which ranges in time from the early eighth to the early thirteenth centuries--challenges existing narratives that cast the period as one of enduring hostility between monolithic Hindu and Muslim cultures. These narratives of conflict have generally depended upon premodern texts for their understanding of the past. By contrast, this book considers the role of material culture and highlights how objects such as coins, dress, monuments, paintings, and sculptures mediated diverse modes of encounter during a critical but neglected period in South Asian history.

The book explores modes of circulation--among them looting, gifting, and trade--through which artisans and artifacts traveled, remapping cultural boundaries usually imagined as stable and static. It analyzes the relationship between mobility and practices of cultural translation, and the role of both in the emergence of complex transcultural identities. Among the subjects discussed are the rendering of Arabic sacred texts in Sanskrit on Indian coins, the adoption of Turko-Persian dress by Buddhist rulers, the work of Indian stone masons in Afghanistan, and the incorporation of carvings from Hindu and Jain temples in early Indian mosques. Objects of Translation draws upon contemporary theories of cosmopolitanism and globalization to argue for radically new approaches to the cultural geography of premodern South Asia and the Islamic world.

Objects of Translation Reviews

Winner of the 2011 Ananda Kentish Coomaraswamy Book Prize, Association for Asian Studies, South Asia Council
One of Choice's Outstanding Academic Titles for 2009
This brilliant book does many things well, but two stand out. It is an overview of the art, especially architecture and architectural decoration, of what is now northern India, Pakistan, and Afghanistan from the eighth to the thirteenth centuries--from the arrival of Islam to the eve of the Mongol conquests. It is also a trenchant essay of interpretation, substituting a richly textured consideration of cultural dynamics and cultural change on a theoretical level for the traditional dichotomy of Hindu versus Muslim. . . . Nothing is comparable to this deeply learned, engrossing, and well-written albeit often challenging work, which is full of compelling discussions of important monuments. It deserves a wide readership.---L. Nees, Choice
[A] brilliant, far-ranging study. . . . This book is essential reading for anyone who seeks to understand the medieval 'Hindu-Muslim' encounter.---John E. Cort, Religious Studies Review
Flood's is an outstanding book and its level of scholarship is far in excess of any other work on medieval Indian history that I am aware of. It is a book that gladdens one's heart as much as it enriches one's mind.---Harbans Mukhia, Medieval History Journal
This book will not only be of interest to scholars of material culture, art and architectural history, religion, and medieval history, but is also entirely relevant to scholars of modern South Asia. In its insistence on mobility--of objects, people, and ideas--and resistance to boundaries, Flood's book is a timely reminder that global mobility is hardly a new phenomenon.---Preeti Chopra, Contemporary South Asia
This book is a most welcomed addition to the still meager though growing number of studies in Islamic art and material culture, which are based on theoretical premises and on a close, comparative scrutiny of multiple visual objects and texts. . . . [D]ue to its rich material and novel ideas, this book is a necessary asset in the library of historians and art historians of the Muslim world and India, and a useful text-book in academic teaching, hard to read but fully rewarding.---Rachel Milstein, Jerusalem Studies in Arabic and Islam

About Finbarr Flood

Finbarr Barry Flood is the William R. Kenan, Jr., Professor of the Humanities in the Department of Art History and the Institute of Fine Arts, and founder-director of Silsila: Center for Material Histories at New York University. His books include Piety and Politics in the Early Indian Mosque and The Great Mosque of Damascus.

Additional information

CIN0691180741G
9780691180748
0691180741
Objects of Translation: Material Culture and Medieval Hindu-Muslim Encounter by Finbarr Flood
Used - Good
Paperback
Princeton University Press
20180320
384
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in good condition, but if you are not entirely satisfied please get in touch with us

Customer Reviews - Objects of Translation