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Race and Media Literacy, Explained (or Why Does the Black Guy Die First?) Frederick W. Gooding, Jr.

Race and Media Literacy, Explained (or Why Does the Black Guy Die First?) By Frederick W. Gooding, Jr.

Race and Media Literacy, Explained (or Why Does the Black Guy Die First?) by Frederick W. Gooding, Jr.


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Summary

Talking about race does not have to be incredibly awkward. In this book, Gooding offers twelve clear, cogent, and concise racial rubrics to help users of mainstream media more readily discern patterns hidden in plain sight. The text primarily leverages popular movies as the medium of analysis, but the rubrics apply to other forms of media.

Race and Media Literacy, Explained (or Why Does the Black Guy Die First?) Summary

Race and Media Literacy, Explained (or Why Does the Black Guy Die First?) by Frederick W. Gooding, Jr.

Talking about race does not have to be incredibly awkward. In this book, Gooding offers twelve clear, cogent, and concise racial rubrics to help users of mainstream media more readily discern patterns hidden in plain sight. The text primarily leverages popular movies as the medium of analysis--since they are unparalleled in their cultural significance--but the rubrics apply to other forms of media, such as television, print, and social media. "Why does the Black guy die first?" is a well-known rhetorical question that challenges the disparate treatment of non-White characters onscreen. This subtle statement about the representation of persons of colour within mainstream movies has remained largely unexplored until now. Race and Media Literacy, Explained provides concrete concepts and a uniform vocabulary with which to recognize and further analyse these formulaic images. After participating in this dynamically interactive experience, readers will never see media the same way again!

Book Features:

  • Employs an interdisciplinary approach to teaching race, drawing on cinema and forms of popular media that most students know.
  • Guidance for honing media literacy skills with middle, high school, and undergraduate college students.
  • A HARM Theory Rubric that identifies 6 consistent patterns for depictions of non-White characters and 6 consistent patterns for White characters within mainstream movies.
  • Questions for Questing sections provide critical questions for further exploration.
  • Concrete vocabulary/glossary terms to engage with the subject matter more precisely.
  • Innovative analysis of depictions of race and ethnicity in the top ten highest-grossing films of all time.

About Frederick W. Gooding, Jr.

Frederick W. Gooding, Jr., is associate professor of African American studies and the Dr. Ronald E. Moore Professor in Humanities in the Honors College at Texas Christian University.

Table of Contents

  • Acknowledgment
  • Series Foreword
  • Preface
  • Part I: Introduction: White Screens, Dark Theaters
  • Introduction: Evaluating the Worth of a Motion Picture
  • Setting the Stage
  • 1,000 Words?
  • Judgment Day
  • Beware Black Engineers
  • Who's Fault?
  • Who's House?
  • The black Guy Really Does Die First
  • Doing the Math
  • 1. Have We Seen This Movie Before?
  • Wdf?! (Why Die First?!)
  • But What Is a Mainstream Movie?
  • Take It From the Top
  • Mainstream Racism in Black and White
  • RACISM: Now in Living Color
  • 2. Value and Visibility
  • Nothing New to Report
  • Introducing the Harm Theory Rubric
  • Sixth Sense: I See White People
  • Seeing (White Hot) Stars
  • The Curious Case of White Women
  • Coming Soon
  • Part II: Conflict and Climax: Color Me Bad
  • Chapter 3: Angel Figure
  • 30-Second Spot
  • Trailer
  • Main Feature Analysis
  • Black Mirror
  • Angel Figure Top Ten Examples
  • 4. Background Figure
  • 30-SECOND SPOT
  • TRAILER
  • MAIN FEATURE ANALYSIS
  • BLACK MIRROR
  • BACKGROUND FIGURE TOP TEN EXAMPLES
  • 5. Comic Relief
  • 30-Second Spot
  • Trailer
  • Main Feature Analysis
  • Black Mirror
  • Comic Relief Top Ten Examples
  • 6. Menace to Society
  • 30-Second Spot
  • Trailer
  • Main Feature
  • Black Mirror
  • Menace to Society Top Ten Examples
  • 7. Physical Wonder
  • 30-Second Spot
  • Trailer
  • Main Feature
  • Black Mirror
  • Physical Wonder Top Ten Examples
  • 8. Utopic Reversal
  • 30-Second Spot
  • Trailer
  • Main Feature Analysis
  • Black Mirror
  • Utopic Reversal Top Ten Examples
  • 9. Assumed Affluent
  • 30-Second Spot
  • Trailer
  • Main Feature Analysis
  • Black Mirror
  • Assumed Affluent Top Ten Examples
  • 10. Family Tied
  • 30-Second Spot
  • Trailer
  • Main Feature Analysis: Family Tied
  • Black Mirror
  • Family Tied Top Ten Examples
  • 11. Hero
  • 30-Second Spot
  • Trailer
  • Main Feature Analysis
  • Black Mirror
  • Hero Prototype Top Ten Examples
  • 12. The Intellectual
  • 30-SECOND SPOT
  • TRAILER
  • MAIN FEATURE ANALYSIS
  • BLACK MIRROR
  • TOP TEN PROTOTYPE EXAMPLES: INTELLECTUAL
  • 13. Manipulator
  • 30-Second Spot
  • Trailer
  • Main Feature Analysis
  • Black Mirror
  • Manipulator Prototype Top Ten Examples
  • 14. Romantic
  • 30-Second Spot
  • Trailer
  • Main Feature Analysis
  • Black Mirror
  • Romantic Top Ten Prototype Examples
  • Part III: Resolution: Emotion Pictures
  • 15. Using Logic With Emotion Pictures
  • My Non-Horror Top Ten Movies for "Why Die First?!"
  • The Bottom Lines
  • But It's Just a Movie, Right?
  • Glossary
  • Watchdog Guide
  • References
  • Index
  • About the Author

Additional information

NGR9780807769409
9780807769409
0807769401
Race and Media Literacy, Explained (or Why Does the Black Guy Die First?) by Frederick W. Gooding, Jr.
New
Paperback
Teachers' College Press
2024-05-31
192
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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