'Gabriel Weisz Carrington's gentle, grieving memoir of his mother allows us a glimpse of their extraordinary life together in Mexico City. It is a life enchanted by art and anchored by love, a wild, irreverent love for all the world's creatures, passed on from mother to son, and now, from son to reader.'
Merve Emre, Associate Professor of English, University of Oxford
'Gabriel Weisz Carrington's intense memoir of his mother explores her inner life as both artist and writer. He reveals the range of her experiments with the magical and the esoteric as well as her profound and sometimes dangerous quest to plumb the mysteries of manifest creation.'
Marina Warner, writer and cultural historian
'To spend time with this book is to spend time with Leonora Carrington - a pure delight from start to finish.'
Viktor Wynd, author of The UnNatural History Museum
'An enchanting portrait of what it was like to grow up as Leonora's son - here, too, as in some of her paintings, the domestic and the fantastical are tightly, wonderfully, intertwined.'
Chloe Aridjis, author of Sea Monsters
'One can never know enough about Leonora Carrington. Through a wealth of fascinating vignettes, Gabriel Weisz captures the magic and mystery of her inimitable persona.'
Homero Aridjis, author of Eyes to See Otherwise
'A touching account of a continuous conversation, The invisible painting sheds light on the extraordinary life of Leonora Carrington from a witness able to share his lived experience and give emotional texture to her biography and creative processes.'
Francesco Manacorda, Artistic Director, V-A-C Foundation
'Utterly exhilarating and poetically accurate. A vital addition to Leonora Carrington studies. The invisible painting wilfully debunks existing myths around the official Carrington family narrative. The preface by Jonathan P. Eburne also paints a glowing portrait of Gabriel Weisz Carrington as someone deliciously weird - a creative intellectual in his own right.'
Catriona McAra, author of The medium of Leonora Carrington
'This is a moving portrait, tinged with palpable grief. Yet its abiding spirit is joyful: Leonora emerges as a character exuding the same magic and puckish vision that imbues her writing and painting.'
Francesca Wade, RA Magazine
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