List of Figures
List of Tables
List of Abbreviations
Acknowledgements
Foreword by Professor Stephanie Pitts
Chapter 1: Introduction
Chapter 2: Conceptualising and Researching Audience Experience
Chapter 3: Contemporary Classical Music and its Audiences
Chapter 4: Who and Why? Demographics and Motivations to Attend
Chapter 5: CCM as High Art Subculture: Audience Tastes and Perceptions
Chapter 6: The Social and the Aesthetic I: Musical Expertise and Experiences with Live CCM
Chapter 7: The Social and the Aesthetic II: Aesthetic Experience and CCM
Chapter 8: CCM and Audience Participation: A Case Study
Chapter 9: Institution-Audience Relationships in CCM Culture
Chapter 10: 'Written without regard to the audience': Classical Music Attendees on CCM
Chapter 11: Conclusion
Appendix 1: Methodological Appendix
Appendix 2: Survey Questionnaires
Appendix 3: Supplementary Tables
Appendix 4: Supplementary Figures
Appendix 5: Full List of Works Performed at the Survey Concerts
Index
