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What I Saw, Heard, Learned . . . Giorgio Agamben

What I Saw, Heard, Learned . . . By Giorgio Agamben

What I Saw, Heard, Learned . . . by Giorgio Agamben


$15.99
Condition - Like New
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What I Saw, Heard, Learned . . . Summary

What I Saw, Heard, Learned . . . by Giorgio Agamben

An engaging collection of late-life reflections and quick thoughts, a book unlike any other Agamben book.

What can the senses of an attentive philosopher see, hear, and learn that can, in turn, teach us about living better lives? Perhaps it's less a matter of asking what and more a matter of asking how. These latest reflections from Italy's foremost philosopher form a sort of travelogue that chronicles Giorgio Agamben's profound interior journey. Here, with unprecedented immediacy, Agamben shares his final remarks, late-life observations, and reflections about his life that flashed before his eyes. What did he see in that brief flash? What did he stay faithful to? What remains of all those places, friends, and teachers?

About Giorgio Agamben

Giorgio Agamben is one of Italy's foremost contemporary thinkers. He recently brought to a close his widely influential archaeology of Western politics, the nine-volume Homo Sacer series. Seagull Books' Italian List includes several of Agamben's recent works. Alta L. Price runs a publishing consultancy specialized in literature and nonfiction texts on art, architecture, design, and culture. A recipient of the Gutekunst Prize and co-curator of this year's Festival Neue Literatur in New York, she translates from Italian and German into English and is a member of Cedilla & Co.

Additional information

GOR013885239
9781803092980
180309298X
What I Saw, Heard, Learned . . . by Giorgio Agamben
Used - Like New
Hardback
Seagull Books London Ltd
2023-11-05
112
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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