Some have called it The Sopranos Effect--the quiet that descends just before a new episode of the hit TV series is aired. Stores are deserted, restaurants quiet--and for patients of distinguished psychoanalyst and author Glen Gabbard, desperate calls for help go unreturned. Why, Dr. Gabbard wondered, have the misadventures of a middle-aged thug won the largest audience in HBO history? What is it about the characters and their relationships that draws us in so completely? What can we learn about ourselves from going inside the heads of these outlaws from New Jersey? In The Psychology of the Sopranos Dr. Gabbard draws on his vast professional experience (and his near-obsessive preoccupation with Tony's two families) to delve into the psychology of the characters, the show's depiction of therapy, and how The Sopranos dramatically showcases the psychological ambiguities and conflicts in our own lives. Indeed, part of the show's popularity, he argues, is the spotlight it throws on viewers' psychological issues--from panic attacks and existential angst to codes of honor and moral indiscretions. With his tongue planted only lightly in his cheek, Gabbard poses the questions so many of us have pondered on Monday mornings: Is Tony's therapy working? And how is it possible for him and his families to reconcile the mundane and the monstrous? His answers will surprise and delight loyal fans. This book was not prepared, licensed, approved, or endorsed by any entity involved in creating or producing the Sopranos television series. Mafia don Tony Soprano, his family, his work associates, and his therapist, Dr. Jennifer Melfi, have captured the imagination (and the fanatical devotion) of more than 11 million viewers. The show has garnered rave reviews for its writing and acting and has won a loyal following of educated viewers, who appreciate the sharp wit, the Machiavellian plot turns, and the Shakespearean character development of this extraordinarily well-crafted drama. * Find the answers in The Psychology of the Sopranos: * * Is Tony a psychopath--or is he an American everyman putting bread on the table in the best way he knows how? * Is Livia a modern-day Medea or a victim caught in mob mentality? * Is Carmella an accomplice or an innocent? * Who's more corrupt, Tony Soprano or Father Phil? * Is Tony doomed to desire women who make him feel as bad as Mom did? * Can a man who commits bad acts still teach his children to be good? *