A gifted writers brilliantly innovative approach to autobiographical non-fiction, syncing a narrative of profoundly personal emotion with the invention and evolution of todays cyberspace.
William Gibson, author of Neuromancer
Part meditation on loss, AIDS, and viral transmission, part howl of grief and fury, The Observable Universe spells out better than anything else Ive read the transformative power of the internet. It felt like Maggie NelsonsThe Red Partsmeets Jia TolentinosTrick Mirror, and is easily the equal of both.
Gavin Francis, author ofAdventures in Human Being
It isnt pain itself that inspires great art; its the frenzied avoidance of pain that pushes an artist to do something, anything, other than feel pain. This book is what arises from that practice: the artifact of one writers solitary, complicated grief. With every carefully, thoughtfully written page, one feels the unwritten grief thudding behind it, beautiful and monstrous. And in the end theres no true story, no solution to the mystery, no final coherence. But there is this marvelous book.
Sarah Manguso, author of300 Arguments
'An extraordinarily intimate record of grief in connected times,The Observable Universeis poetic and precise, tracing the spiralling connections, but also the empty spaces, the mysteries and emotional complexities the past leaves behind. This book is haunted, and will haunt its reader, too.'
Roisin Kiberd, author ofThe Disconnect
'How is it possible to fit the whole universe in a book? Heather McCalden has miraculously combined far-flung ideas and stories to show the interconnectedness of all things. Bodies and technologies, selves and societies, histories and futures, memories and speculations McCalden reaches far and wide, and brings it all home. This book is brave and unique.'
Elvia Wilk, author of Death By Landscape
'Heather McCalden'sThe Observable Universeexquisitely undoes our concepts of illness, attachment, and entanglement. This book is not about HIV/AIDS, or about loss: it is born of them both, and so made of them. McCalden asks: if a virus is part of us, is it separate from us? When people die, are they still inside us? Strands of obsession, contagion, and radical inquiry braid together into lyrical meaning, without ever settling into moralistic conclusions or assessments. This book is explosive and profound, unusual and timeless. I believe deeply in the beautiful work it's doing.'
Cyrus Dunham, author ofA Year Without a Name
The Observable Universe both soars and tunnels, a feat of kaleidoscopically structured thought that moves with the glowing force of McCaldens voice. It flew me around the world, drove me through my favorite city. It is a smart, supple, nuanced companion through the twinnings of grief and growth, and the ways we forge our lives not despite these, but because of them.
Johanna Hedva, author of Your Love Is Not Good
'Heather McCalden has constructed a masterful debut it is a work of confident craft, razorwire wit, and unflinching courage. This meditation on virality (in the body and on the internet) as the central metaphor of our time is canny cultural analysis all mixed up with devastating personal investigation. Mixed-up is its central formal feature, in the best way:The Observable Universeis a mixed tape, a photo album, an archive of what's lost and what's left and the fragmented work of sifting through it all for a story we can live with. May this be the first of many books by McCalden.'
Jordan Kisner, author ofThin Places
'A remarkable book.'
Noreen Masud, author ofA Flat Place
'What does it mean to lose two parents to AIDS, to inherit a load of heartbreak? What forms can we invent to write unruly, keening, immoderate subjects? This book is catchy, a contagion of feeling, transmitting in all directions from McCaldens taut and ghost-ridden mind. Its effects are sly and accretive. Beautifully researched and achingly tender,The Observable Universefilled me with awe.'
Kyo Maclear, author ofUnearthing
'Last night I dreamt I was Heather McCalden again. Which is nothing to be wondered at, when she has written a book which, just like the phenomena it seeks to record viruses, grief, the internet has the power to stealthily spread through and reconfigure perception and sensation, shape our experience. But is also very much to be wondered at, because Im not sure how she does it: like the photo album thatThe Observable Universeis modelled on, the effect is immersive and cumulative, and seems to defy any sweeping understanding. It strips us of intellectual hubris, returns us to a place of awed humility. Maybe the only thing we can, and should, observe is that this book is like no other.'
Polly Barton, author of Porn: An Oral History
