Hwang Sok-yong is one of the most read Korean writers in his country, and best known abroad. An activist for democracy and reconciliation with the North, in his books he melds his political fights with the Korean cultural imagination. * Le Monde *
Reality, fiction and fantasy mix closely, giving his writing unparalleled power. Hwang Sok-yong's empathy for his heroes is always accompanied by a fierce rage against the powerful. * Le Monde Diplomatique *
A powerful yet modest and profound meditation on personal responsibility and what a fulfilled life might mean... Yet At Dusk never trips over into nostalgia or sentimentality. Hwang's writing is laced with the hard-won wisdom of a man with plenty left to say. * The Guardian *
The Prisoner is also a literary tour de force. Written in the lyrical, elegant style, with powerful acuity and razor-sharp wit that are hallmarks of Sok-Yong's work, it coaxes the reader to savour images, memorable events, and poignant details while also demanding a comprehensive ethical commitment to freedom, justice, and a moral universe.} data-sheets-userformat={2:12993,3:{1:0},9:0,10:0,12:0,15:Verdana,16:9} style=font-size: 9pt; font-family: Verdana;>This sweeping, epic account is not just a memoir but rather a knowledgeable, sensitive and informed insight into Korea and its neighbours, as well as a complex, nuanced examination of the Cold War, its geopolitical consequences and its human cost. Hwang Sok-yong moves effortlessly between the personal and the political, and the geopolitical, and like his novels, his concerns are both compassionately individual and passionately global.
The Prisoner is also a literary tour de force. Written in the lyrical, elegant style, with powerful acuity and razor-sharp wit that are hallmarks of Sok-Yong's work, it coaxes the reader to savour images, memorable events, and poignant details while also demanding a comprehensive ethical commitment to freedom, justice, and a moral universe. -- Sunny Singh
Hwang Sok-Yong's photographic memory yields vitally important historic testimonies: to the trials of his imprisonment, to life in South as well as North Korea under unchecked power, to the dynamism, humanity, persistence and resilience of artists alone and together against injustice. The Prisoner is an invaluable document, a thorough and eye-opening sweep of the past. Translators Anton Hur and Sora Kim-Russell have done a remarkable job of conveying the political and emotional nuances of language in their source material, and we as grateful readers are all the better for it. -- Khairani Barokka
Hwang Sok-yong is Korea's leading political novelist. His new book, The Prisoner, is every bit as riveting and deeply informed is anything he has written. The author has a political sensibility that illuminates a number of important episodes in Korea's recent political history, with one trenchant observation after another about both the North and the South. His harrowing experience as a political prisoner under the South Korean dictatorship leaves an indelible black mark on a regime that the United States supported for 40 years, and that Hwang courageously fought every day of his life until the dictatorship finally collapsed. -- Bruce Cumings, historian at the University of Chicago, and the author of the Korean War
Epic in its scope ... a passionate, detailed memoir. -- Kristine Morris * Foreword Reviews *
Page-turning ... By offering the reader a holistic view of his literal and metaphorical imprisonment, Hwang poignantly illustrates what it means to be exiled by politics, geography, language, and emotional ties. -- Thuy Dinh * NPR Books *
Cinematic, riveting, elegiac ... The Prisoner expands Hwang's literary scope, uniting his life experience with the compassionate realism of his later works. * NPR Books *
A fascinating account of a life lived for art and campaigns for freedom and justice -- Mark Rappolt * ArtReview *
Despite having had not so much as a pen to keep a diary, Hwang recalls the techniques he employed and adaptations he made to endure [the] psychological privations and physical discomforts [of prison] in a remarkably high degree of detail. -- Colin Marshall * Los Angeles Review of Books *