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The Prehistory of Music Iain Morley (Lecturer in Palaeoanthropology and Human Sciences, Oxford University, and Fellow of St. Hugh's College, Oxford)

The Prehistory of Music By Iain Morley (Lecturer in Palaeoanthropology and Human Sciences, Oxford University, and Fellow of St. Hugh's College, Oxford)

Summary

This volume investigates the evolutionary origins of our musical abilities, the nature of music, and the earliest archaeological evidence for musical activities amongst our ancestors. It seeks to understand the relationship between our musical capabilities and the development of our social, emotional, and communicative abilities as a species.

The Prehistory of Music Summary

The Prehistory of Music: Human Evolution, Archaeology, and the Origins of Musicality by Iain Morley (Lecturer in Palaeoanthropology and Human Sciences, Oxford University, and Fellow of St. Hugh's College, Oxford)

Music is possessed by all human cultures, and archaeological evidence for musical activities pre-dates even the earliest known cave art. Music has been the subject of keen investigation across a great diversity of fields, from neuroscience and psychology to ethnography, archaeology, and its own dedicated field, musicology. Despite the great contributions that these studies have made towards understanding musical behaviours, much remains mysterious about this ubiquitous human phenomenon--not least, its origins. In a ground-breaking study, this volume brings together evidence from these fields, and more, in investigating the evolutionary origins of our musical abilities, the nature of music, and the earliest archaeological evidence for musical activities amongst our ancestors. Seeking to understand the true relationship between our unique musical capabilities and the development of the remarkable social, emotional, and communicative abilities of our species, it will be essential reading for anyone interested in music and human physical and cultural evolution.

The Prehistory of Music Reviews

[A] superb book . . . very clear and easy to follow and understand. * Sean Gurd, The Classical Journal *
An up-to-date and authoritative overview of recent research on evolution and cognition of musicality . . . a comprehensive and sophisticated outline of the present state of play by a leading authority . . . The text is geared seamlessly to academics, students, and general readership; its accessible style and keen exposition will no doubt garner enthusiasm for the project. * Dr Anton Killin, Biology & Philosophy *

About Iain Morley (Lecturer in Palaeoanthropology and Human Sciences, Oxford University, and Fellow of St. Hugh's College, Oxford)

Dr Iain Morley is Lecturer in Palaeoanthropology and Human Sciences at the University of Oxford, and a Fellow of St Hugh's College. He teaches human evolution and the evolution of human cognition. Particular areas of interest include the emergence of ritual and religion, Palaeolithic imagery, and the evolutionary origins and archaeology of music.

Table of Contents

Preface Listof Illustrations 1: Conceiving Music in Prehistory 2: Implications of Music in Hunter-Gatherer Societies 3: Palaeolithic Music Archaeology 1: Pipes 4: Palaeolithic Music Archaeology 2: Other Sound Producers 5: The Palaeoanthropology of Vocalisation 1: Vocal Anatomy 6: The Palaeoanthropology of Vocalisation 2: The Brain and Hearing 7: Neurological Relationships Between Music and Speech 8: Vocal Versatility and Complexity in an Evolutionary Context 9: Vocal Control and Corporeal Control - Vocalisation, Gesture, Rhythm, Movement and Emotion 10: Emotion and Communication in Music 11: Rationales for Music in Evolution 12: Conclusions Appendix Bibliography Index

Additional information

GOR013921782
9780198827269
0198827261
The Prehistory of Music: Human Evolution, Archaeology, and the Origins of Musicality by Iain Morley (Lecturer in Palaeoanthropology and Human Sciences, Oxford University, and Fellow of St. Hugh's College, Oxford)
Used - Very Good
Paperback
Oxford University Press
2018-06-07
464
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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