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Since its inception, relations between Havana and Moscow have been subject to a number of preconceptions and assumptions. The bilateral cultural relationship is no different. However, in this meticulously researched work, focusing particularly on theater and the visual arts in two key--but very different--periods (1960 to 1963 and 1975 to 1986), Isabel Story both makes readers question Cuban-Soviet relations in general and also gives rise to a rethinking of culture within the Cuban Revolution itself. -- Mervyn J. Bain
Challenging simple notions of a Sovietization of Cuban culture during the Cold War, this book is a nuanced and in-depth study of the multifaceted adaptation, and sometimes rejection, of Soviet artistic forms in post-revolutionary Cuban theater and visual arts. -- Tobias Rupprecht, University of Exeter
A remarkable contribution to the Cold War Studies field. -- Emilio J. Gallardo-Saborido, Spanish National Research Council

Isabel Story is senior lecturer in the School of Art and Design at Nottingham Trent University.

Chapter 1: Introduction and Structure

Chapter 2: The Soviet-Cuban Relationship

Chapter 3: The Conception and Trajectory of Socialist Realism in the USSR

Chapter 4: Cuban Cultural Policy, 1959-1975: Diversity and Rising Nationalism

Chapter 5: Cuban Cultural Policy 1976-1986: Inscribing Cuba in the International

Chapter 6: Staging the Revolution

Chapter 7: Adelante el Arte: The Plastic Arts in Cuba

Chapter 8: Soviet Ruins and Stylized Nostalgia