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Art History Versus Aesthetics James Elkins (Art Institute of Chicago, USA)

Art History Versus Aesthetics By James Elkins (Art Institute of Chicago, USA)

Art History Versus Aesthetics by James Elkins (Art Institute of Chicago, USA)


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Summary

Raising interesting issues, and answering questions, this collection presents over twenty of the world's most prominent thinkers who discuss the question: does philosophy have anything to say to art history? It analyzes the commentary by twenty scholars on an animated conversation among ten scholars and aestheticians.

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Art History Versus Aesthetics Summary

Art History Versus Aesthetics by James Elkins (Art Institute of Chicago, USA)

In this unprecedented collection, over twenty of the world's most prominent thinkers on the subject including Arthur Danto, Stephen Melville, Wendy Steiner, Alexander Nehamas, and Jay Bernstein ponder the disconnect between these two disciplines. The volume has a radically innovative structure: it begins with introductions, and centres on an animated conversation among ten historians and aestheticians. That conversation was then sent to twenty scholars for commentary and their responses are very diverse: some are informal letters and others full essays with footnotes. Some think they have the answer in hand, and others raise yet more questions. The volume ends with two synoptic essays, one by a prominent aesthetician and the other by a literary critic.

This stimulating inaugural volume in the Routledge The Art Seminar series presents not one but many answers to the question; Does philosophy have anything to say to art history?

About James Elkins (Art Institute of Chicago, USA)

James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago, and Head of History of Art at the University College Cork, Ireland. He is the author of Pictures and Tears, How to Use Your Eyes, and What Painting Is and, most recently, The Strange Place of Religion in Contemporary Art and Master Narratives and Their Discontents, all published by Routledge.

Table of Contents

Series Preface, by James Elkins 1. INTRODUCTORY ESSAY Robert Gero, "The Border of the Aesthetic" 2. STARTING POINTS Joseph Margolis, "Exorcising the Dreariness of Aesthetics" James Elkins, "Why Don't Art Historians Attend Aesthetics Conferences?" 3. THE ART SEMINAR Participants: Arthur Danto, Thierry De Duve, Diarmuid Costello, Martin Donougho, David Raskin, Anna Dezeuze, Richard Woodfield, Dominic Willsdon, Francis Halsall, Nicholas Davey, John Hyman, David Raskin 4. ASSESSMENTS Diarmuid Costello Anna Dezeuze Dominic Willsdon David Raskin John Hyman Francis Halsall Richard Woodfield Ladislav Kesner Joseph Margolis Crispin Sartwell Paul Crowther Mary Rawlinson Jan Bakos Alexander Nehamas Ciaran Benson Wendy Steiner Mathew Rampley Keith Moxey Christine Wertheim Eva Schurmann Harry Cooper Adrian Rifkin David Getsy Michael Kelly Margaret Iversen Michael Golec Michael Newman Gregg Horowitz Stephen Melville 5. AFTERWORDS Jay Bernstein, "Modernism as Aesthetics and Art History" Marc Redfield, "Island Mysteries" Notes on Contributors

Additional information

CIN0415976898G
9780415976893
0415976898
Art History Versus Aesthetics by James Elkins (Art Institute of Chicago, USA)
Used - Good
Paperback
Taylor & Francis Ltd
2005-10-27
320
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in good condition, but if you are not entirely satisfied please get in touch with us

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