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Maiko Masquerade Jan Bardsley

Maiko Masquerade By Jan Bardsley

Maiko Masquerade by Jan Bardsley


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Maiko Masquerade Summary

Maiko Masquerade: Crafting Geisha Girlhood in Japan by Jan Bardsley

Maiko Masquerade explores Japanese representations of the maiko, or apprentice geisha, in films, manga, and other popular media as an icon of exemplary girlhood. Jan Bardsley traces how the maiko, long stigmatized as a victim of sexual exploitation, emerges in the 2000s as the chaste keeper of Kyoto's classical artistic traditions. Insider accounts by maiko and geisha, their leaders and fans, show pride in the training, challenges, and rewards maiko face. No longer viewed as a toy for men's amusement, she serves as catalyst for women's consumer fun. This change inspires stories of ordinary girls-and even one boy-striving to embody the maiko ideal, engaging in masquerades that highlight questions of personal choice, gender performance, and national identity.

About Jan Bardsley

Jan Bardsley is Professor Emerita of Asian Studies at the University of North Carolina, Chapel Hill. She is the author of Women and Democracy in Cold War Japan and the award-winning The Bluestockings of Japan: New Woman Essays and Fiction from Seito, 1911-1916.

Table of Contents

List of Illustrations
Preface: Why Study Maiko Stories?
Notes on Japanese Terms and Currency

Introduction: The Maiko, Kyoto's Apprentice Geisha
1. The Maiko's Hanamachi Home
2. The Well-Mannered Career Path
3. Life in the Hanamachi: Voices of Maiko and Geiko
4. From Victim to Artist: Maiko Stories in Movies and Manga
5. Adventures of a Boy Maiko: There Goes Chiyogiku!
6. Hit a Homer, Maiko! Maiko Visual Comedy
Conclusion: The Ordinary Girl in the Maiko Masquerade

Acknowledgments
Glossary
Notes
Bibliography
Index

Additional information

CIN0520296443G
9780520296442
0520296443
Maiko Masquerade: Crafting Geisha Girlhood in Japan by Jan Bardsley
Used - Good
Paperback
University of California Press
20210309
300
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in good condition, but if you are not entirely satisfied please get in touch with us

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