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The Cambridge Companion to The Magic Flute Jessica Waldoff (College of the Holy Cross, Massachusetts)

The Cambridge Companion to The Magic Flute By Jessica Waldoff (College of the Holy Cross, Massachusetts)

The Cambridge Companion to The Magic Flute by Jessica Waldoff (College of the Holy Cross, Massachusetts)


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Summary

Premiered in 1791, The Magic Flute remains Mozart's most-performed opera worldwide. This Companion covers historical context, musical analysis, critical approaches and reception history, and engages with current debates including the representation of gender, race and exoticism. It provides an essential framework for understanding the opera today.

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The Cambridge Companion to The Magic Flute Summary

The Cambridge Companion to The Magic Flute by Jessica Waldoff (College of the Holy Cross, Massachusetts)

Since its premiere in 1791, The Magic Flute has been staged continuously and remains, to this day, Mozart's most-performed opera worldwide. This comprehensive, user-friendly, up-to-date critical guide considers the opera in a variety of contexts to provide a fresh look at a work that has continued to fascinate audiences from Mozart's time to ours. It serves both as an introduction for those encountering the opera for the first time and as a treasury of recent scholarship for those who know it very well. Containing twenty-one essays by leading scholars, and drawing on recent research and commentary, this Companion presents original insights on music, dialogue, and spectacle, and offers a range of new perspectives on key issues, including the opera's representation of exoticism, race, and gender. Organized in four sections - historical context, musical analysis, critical approaches, and reception - it provides an essential framework for understanding The Magic Flute and its extraordinary afterlife.

About Jessica Waldoff (College of the Holy Cross, Massachusetts)

Jessica Waldoff is Professor of Music at the College of the Holy Cross in Worcester, Massachusetts. She is the author of Recognition in Mozart's Operas (2006; 2011) and has published extensively on the music of Mozart and his contemporaries.

Table of Contents

Introduction Jessica Waldoff; Part I. Conception and Context: 1. German Opera in Mozart's Vienna Estelle Joubert; 2. 'The Magic Flute's' Libretto and German Enlightenment Theater Reform Martin Nedbal; 3. Emanuel Schikaneder and the Theater auf der Wieden Lisa de Alwis; 4. 'The Magic Flute' in 1791 Austin Glatthorn; Part II. Music, Text, and Action: 5. Music as Stage-Craft Julian Rushton; 6. Enduring Portraits: The Arias Laurel E. Zeiss; 7. 'All Together, Now'? Ensembles and Choruses in 'The Magic Flute' Nicholas Marston; 8. Musical Topics, Quotations, and References Mark Ferraguto; 9. Instrumentation, Magical and Mundane Emily I. Dolan and Hayley Fenn; 10. The Dialogue as Indispensable Catherine Coppola; 11. Music, Drama and Spectacle in the Finales John Platoff; III. Approaches and Perspectives: 12. Seeking Enlightenment in Mozart's 'Magic Flute' Richard Kramer; 13. Birdsong and Hieroglyphs: Exoticism and Enlightened Orientalism in 'The Magic Flute' Matthew Head; 14. Partial Derivatives: Sources, Types, and Tropes in 'The Magic Flute' Thomas Bauman; 15. Pamina, the Queen, and the Representation of Women Jessica Waldoff; 16. Blackness and Whiteness in 'The Magic Flute' - Reflections from Shakespeare Studies Adeline Mueller; IV. Reception, Interpretation, and Influence: 17. Zauberfloete: A Cultural Phenomenon in an Age of Revolution Ian Woodfield; 18. 'The Magic Flute' in Biography, Criticism, and Literature Simon P. Keefe; 19. The Elusive Compositional History of 'The Magic Flute' Daniel R. Melamed; 20. Staging 'The Magic Flute' Kate Hopkins; 21. Ingmar Bergman's Film Version of 'The Magic Flute' Dean Duncan.

Additional information

CIN1108446841VG
9781108446846
1108446841
The Cambridge Companion to The Magic Flute by Jessica Waldoff (College of the Holy Cross, Massachusetts)
Used - Very Good
Paperback
Cambridge University Press
20231102
320
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

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