Cart
Free US shipping over $10
Proud to be B-Corp

The Cambridge Companion to Chopin Jim Samson (University of Bristol)

The Cambridge Companion to Chopin By Jim Samson (University of Bristol)

The Cambridge Companion to Chopin by Jim Samson (University of Bristol)


$56.09
Condition - New
Only 2 left

Summary

The Cambridge Companion to Chopin is designed to provide the enquiring music-lover with helpful insights into Chopin's music and to account for a musical style which recognises no contradiction between the accessible and the sophisticated, the popular and the significant.

The Cambridge Companion to Chopin Summary

The Cambridge Companion to Chopin by Jim Samson (University of Bristol)

The Cambridge Companion to Chopin provides the enquiring music-lover with helpful insights into a musical style which recognises no contradiction between the accessible and the sophisticated, the popular and the significant. Twelve essays by leading Chopin scholars make up three parts. Part 1 discusses the sources of Chopin's style in the music of his predecessors and the social history of the period. Part 2 profiles the mature music, and Part 3 considers the afterlife of the music - its reception, its criticism and its compositional influence in the works of subsequent composers.

The Cambridge Companion to Chopin Reviews

'... strongly recommended to students, teachers, and researchers. Non-specialists will find useful and reliable introductions to various facets of Chopin's life and music while specialists will encounter provocative viewpoints in a number of contributions.' Notes
'... highly recommended to anybody seeking an easily digestible yet informative overview of Chopin the man, his music, and his public.' Susan Bradshaw, The Musical Times

Table of Contents

Chronology; Myth and reality: a biographical introduction; Part I. The Growth of a Style: 1. Piano music and the public concert, 1800-1850 Janet Ritterman; 2. The nocturne: development of a new style David Rowland; 3. The twenty-seven etudes and their antecedents Simon Finlow; 4. Tonal architecture in the early music John Rink; Part II. Profiles of the Music: 5. Extended forms: the ballades, scherzos and fantasies Jim Samson; 6. Small 'forms': in defence of the prelude Jeffrey Kallberg; 7. Beyond the dance Adrian Thomas; 8. The sonatas Anatole Leikin; Part III. Reception: 9. Chopin in performance James Methuen-Campbell; 10. Chopin reception in nineteenth-century Poland Zofia Chechlinska; 11. Victorian attitudes to Chopin Derek Carew; 12. Chopin's influence on the fin de siecle and beyond Roy Howat; Appendix: a historical survey of Chopin on disc James Methuen-Campbell; Notes; List of Chopin's works; Bibliographical note; Index.

Additional information

NPB9780521477529
9780521477529
0521477522
The Cambridge Companion to Chopin by Jim Samson (University of Bristol)
New
Paperback
Cambridge University Press
1994-12-08
356
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a new book - be the first to read this copy. With untouched pages and a perfect binding, your brand new copy is ready to be opened for the first time

Customer Reviews - The Cambridge Companion to Chopin