Discover Joan Mitchells powerful and dynamic workspotlighted in this book as never before

An entry for one of the best shows of 2022. . . . Mitchell, then in her 50s, reaches peak form in gathering brushstrokes that flicker and burn like auras on fire. Jerry Saltz, New York magazine

This highly anticipated publication focuses on the years 1979 to 1985a significant and deeply generative period within Joan Mitchells decades-long career. As Mitchell became even more fully immersed in daily life at her property in Vetheuil, Francesurrounded by lush gardens, and challenged and inspired by new creative relationshipsher studio practice flourished and her work became even more ambitious and expansive. Executed in an increasingly bold palette, the works from this period exemplify Mitchells nuanced mastery of composition, scale, and color. In addition to her large-scale abstract works, this publication features numerous smaller paintings and a selection of archival materials.

Included in the book are several texts that complement the illustrated works. A new essay by the bestselling author Julie Otsuka recollects her encounters with Mitchells paintings over the years. A fascinating conversation between Mitchell and the French philosopher Yves Michaud from 1986 is featured. Reflections by the artists Amy Sillman, Shinique Smith, and Lily Stockman each explore a unique component of Mitchells oeuvre or practice, underscoring Mitchells continued influence on artists today.