This is a provocative volume and will be of particular interest to those seeking a bridge between sociology's measurable quantities and psychology's emphasis on the unknowable. With connections to an array of disciplines including history, women's studies, literary theory, and psychology, it holds promise for broad reach across the academy. - On Campus with Women
The Fantasy of Feminist History remains a fascinating and timely engagement with important questions concerning the rhetoric and ideology of historical representation, and it will undoubtedly have broad appeal for scholars working in and across a range of disciplines and fields of study, including history, gender studies, critical theory, cultural studies, psychoanalysis, and postcolonialism. Scott is particularly adept at rendering complex theoretical concepts in eminently clear, readable terms, as well as at providing concise genealogies of the institutional, intellectual, and social contexts in which those concepts were initially developed and have been put to use subsequently. - Theo Finigan, Reviews in Cultural Theory
Against Scott's formulation, historians may continue to assert that there is little empirical foundation for psychoanalytic concepts of fantasy, although it is difficult to argue that the histories she discusses are not informed by emotional investments that cannot be explained ideologically or empirically. The epilogue, which reminds us that archives are a repository of passion as well as information, should give all historians a reason to examine the scenes into which they may have written themselves. - Carolyn J. Dean, Journal of Modern History
The Fantasy of Feminist History is Joan Wallach Scott's most important intervention in the field of gender history since her classic article of 1986. In her usual lucid prose, she invites us to rethink gender analysis in psychoanalytic terms and thus enrich our analytic vocabulary for understanding human existence. Her critiques of sexual difference and cultural construction dramatically change our notions of gender norms. Her elucidation of fantasy as a historical category of analysis is also groundbreaking. This book is a must-read for all historians and gender scholars.-Mary Louise Roberts, author of Disruptive Acts: The New Woman in Fin-de-Siecle France
Joan Wallach Scott is not merely a historian of gender. Gender also proves a useful tool in her history of our present. To preserve its 'critical edge,' she summons psychoanalysis, convincingly arguing that gender studies need not be limited to cold reason. From paradox to dilemma, indeed, there is madness in Scott's method, and it is exhilarating.-Eric Fassin, Ecole Normale Superieure
This elegant collection of Joan Wallach Scott's recent essays on feminist history and critique is her best book yet. Relentlessly pedagogical, bracingly reflexive, and breathtakingly creative, each essay makes good on the book's premise that 'psychoanalysis animates the concept of gender for historians.' The introduction-a perspicacious narrative of feminist theory's complex relationship with sexual difference and psychoanalysis-is worth its weight in gold, and the five essays that follow, on topics ranging from secularism to seduction theory, are polished gems of historical-theoretical inquiry. Together they reinvigorate feminist theory with brilliant new ideas, juxtapositions, and engagements.-Wendy Brown, University of California, Berkeley
The Fantasy of Feminist History remains a fascinating and timely engagement with important questions concerning the rhetoric and ideology of historical representation, and it will undoubtedly have broad appeal for scholars working in and across a range of disciplines and fields of study, including history, gender studies, critical theory, cultural studies, psychoanalysis, and postcolonialism. Scott is particularly adept at rendering complex theoretical concepts in eminently clear, readable terms, as well as at providing concise genealogies of the institutional, intellectual, and social contexts in which those concepts were initially developed and have been put to use subsequently. -- Theo Finigan * Reviews in Cultural Theory *
This is a provocative volume and will be of particular interest to those seeking a bridge between sociology's measurable quantities and psychology's emphasis on the unknowable. With connections to an array of disciplines including history, women's studies, literary theory, and psychology, it holds promise for broad reach across the academy. * On Campus with Women *
Against Scott's formulation, historians may continue to assert that there is little empirical foundation for psychoanalytic concepts of fantasy, although it is difficult to argue that the histories she discusses are not informed by emotional investments that cannot be explained ideologically or empirically. The epilogue, which reminds us that archives are a repository of passion as well as information, should give all historians a reason to examine the scenes into which they may have written themselves. -- Carolyn J. Dean * Journal of Modern History *
Scott's undertaking should be commended for its daring attempt to tease out new ways of analysing historical material. -- Michael Kuur Sorensen * European Review of History *
The importance of Scott's book lies in its refusal of a damaging spatial binary of surface and depth. Surface readers accuse 'depth' readers of not being aware of their own fantasies as readers, in turn, they are agnostic about knowing such entanglements in their surface readings. It is precisely the entanglements of the reader and text and the fantasies of historical knowledge that Scott engages. Her critical reading practice insists not only on close reading of the text, but also close reading of the reader herself. -- Kathleen Biddick * Journal of Social History *
The impressive yield of this anthology is that it deals with supposedly familiar subjects but still succeeds in opening up a new discussion. . . . Scott delivers interesting discussions over many theoretical concepts, and her diagnosis, with the help of psychoanalysis, of the discipline's shortcomings is striking. -- Angelika Epple * History and Theory *
I choose to conclude by mentioning one aspect that I consider of special relevance: the critique of the fantasy of continuity in historical constructions. This critique concerns not only the temporal categories of history and its periodisation, but is tightly linked with the critique of essentialism. This is why I consider it foundational for any innovative historical practice, including the multifarious forms of feminist history. -- Luisa Passerini * Gender & History *
The Fantasy of Feminist History deal with one of the oldest and most difficult problems faced by feminist historians across the generations: how is it possible to account for emotions, passions, feelings, desires and fantasies while doing historical research? It is easy to predict that the arguments - and the book - will play a central role in theoretical and methodological debates among scholars working on gender issues in years to come. -- Paola Di Cori * European Journal of Women's Studies *
