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Highlife Giants John Collins

Highlife Giants By John Collins

Highlife Giants by John Collins


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Summary

Highlife Giants is an intimate portrait of the pioneering artistes of West Africa's vibrant music scene from the 1920s onwards. It is packed full of inside information from stars including E.T Mensah, Kofo Ghanaba, King Bruce, Bobby Benson, Victor Uwaifo, and Ignace De Souza.

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Highlife Giants Summary

Highlife Giants: West African Dance Band Pioneers by John Collins

As West Africa's oldest form of popular music, Highlife was the soundtrack of the independence era and its influence still resonates widely today. Highlife Giants is an intimate portrait of the pioneering artistes of West Africa's vibrant music scene from the 1920s onwards. It is packed full of inside information from interviews with stars including E.T Mensah, Kofo Ghanaba, Bobby Benson and Ignace De Souza, revealing priceless behind-the-scene moments such as Louis Armstrong giving Eddie Okonta a trumpet with a golden mouthpiece after seeing him perform. Together with an illuminating account of Highlife's instruments, rhythms and influences, Highlife Giants comprehensively charts the development of this rich and varied popular music, which has come to influence contemporary West African music such as Afrobeat and hiplife. Highlife remains crucial in generating social commentary and protest, and contributing to the consolidation of a pan-African musical identity. This book will enthrall readers wishing to delve into the rich musical history of West Africa.

About John Collins

Professor John Collins is a naturalized Ghanaian of British descent who came to Ghana in 1952. He is a guitarist, harmonica player and percussionist and has worked and recorded with numerous Ghanaian & Nigerian bands. In the 1970s he had his own Bokoor Band and since 1982 has been running Bokoor Recording Studio near Accra. Collins has also written numerous publications on West African popular and neo-traditional music. Collins is a Professor at the Music Department of the University of Ghana in Legon. He is a patron of the Musicians Union of Ghana (MUSIGA) and is Chair of Bokoor African Popular Music Archives Foundation (BAPMAF).

Table of Contents

Contents Introduction SECTION ONE: The Origins and Spread of Highlife Chapter One: Black Soldiers, Seamen and the Coastal Elites: Brass Bands, Guitar Bands and Ballroom Dance Orchestras Chapter Two: Highlife Dance Bands and the Early Independence Era SECTION TWO: Highlife Pioneers in Ghana and Nigeria Chapter Three: E.T. Mensah: Youthful Days and the Early Tempos Chapter Four: Louis Armstrong and the Later Tempos Chapter Five: Some Tempos Graduates Chapter Six: Guy Warren/Kofi Ghanaba: The Accra Orchestra and the Tempos Chapter Seven: The Tempos' Travels in West Africa Chapter Eight: Bobby Benson and the Jam Session Orchestra of Lagos SECTION THREE: Highlife's Golden Age: Nigeria, Ghana and Benin Chapter Nine: Veterans From Bobby Benson's Band Chapter Ten: Victor Olaiya and Chris Ajilo Chapter Eleven: Victor Uwaifo: The Nigerian Bini Highlife Maestro Chapter Twelve: Orlando Julius: From Highlife to Afro-Fusion Chapter Thirteen: Ignace De Souza of Benin Chapter Fourteen: King Bruce and The Black Beats Chapter Fifteen: Saka Acquaye: The Ghanaian Musician and Artist Chapter Sixteen: Jerry Hansen and the Ramblers International Band Chapter Seventeen: Broadway, Uhuru and Ebo Taylor Chapter Eighteen: The Ghanaian Highlife Composer Oscarmore Ofori SECTION FOUR: The Highlife of Eastern Nigeria Chapter Nineteen: Eastern Nigerian Highlife Artists Chapter Twenty: The Eastern Nigerian Highlife 'Explosion' of the 1970s CODA: The Highlife Revival Chapter Twenty-One: The Current Highlife Revival in Nigeria, Ghana and Abroad PHOTO CREDITS BIBLIOGRAPHY INDEX

Additional information

CIN1911115294G
9781911115298
1911115294
Highlife Giants: West African Dance Band Pioneers by John Collins
Used - Good
Paperback
Cassava Republic Press
2016-11-03
334
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in good condition, but if you are not entirely satisfied please get in touch with us

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