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Dickens on Screen John Glavin (Georgetown University, Washington DC)

Dickens on Screen By John Glavin (Georgetown University, Washington DC)

Dickens on Screen by John Glavin (Georgetown University, Washington DC)


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SeriesOn Screen

Summary

Dickens on Screen is a broad ranging investigation of over a century of film adaptations of Dickens's works. It is an invaluable resource for students and scholars alike. It provides an exhaustive filmography and is well illustrated.

Dickens on Screen Summary

Dickens on Screen by John Glavin (Georgetown University, Washington DC)

Television and film, not libraries or scholarship, have made Charles Dickens the most important unread novelist in English. It is not merely that millions of people feel comfortable deploying the word 'Dickensian' to describe their own and others' lives, but that many more people who have never read Dickens know what Dickensian means. They know about Dickens because they have access to over a century of adaptations for the big and small screen. Because Dickens has proven to be the most easily adapted of major novelists, he has become, somewhat ironically, one of the foremost novelists in the English canon. This is ironic because it was just this capacity to entertain that once confined him to the margins of the 'great tradition' in fiction. Dickens on Screen is an invaluable resource for students and scholars alike. It provides an exhaustive filmography and is well illustrated.

Dickens on Screen Reviews

Raises a number of issues that are pertinent to the many debates that center around the translation of nineteenth-century fiction into film more generally... Kate Flint, Studies in English Literature
For such a reader, this book offers a fresh and, at times, irreverent perspective on the complex interactions between film and literature...Glavin's collection lays a strong foundation upon which to build. Dickens Quarterly, Cara Lane, University of Washington

About John Glavin (Georgetown University, Washington DC)

John Glavin is Professor of English, and Director of the John Carroll Scholars Program Georgetown University, Washington DC. He is the author of After Dickens: Reading, Adaptation and Performance (Cambridge, 1999).

Table of Contents

List of illustrations; Notes on the contributors; Acknowledgments; Introduction John Glavin; Part I: 1. Dickens, psychoanalysis and film: a roundtable Gerhard Joseph; Part II: 2. David Copperfield's home movies John Bowen; 3. David Lean's Great Expectations Regina Barreca; 4. Great Expectations on Australian television John O. Jordan; 5. Dickens 'The Signalman' and Rubini's La Stazione Alessandro Vescovi; 6. Bill Murray's Christmas Carols Murray Baumgarten; 7. Screen memories in Dickens and Woody Allen Robert M. Polhemus; Part III: 8. Writing after Dickens: the television writer's art John Romano; 9. Directing Dickens: Alfonso Cuaron's 1998 Pam Katz; 10. Playing Dickens: an interview with Miriam Margolyes; Part IV: 11. Cinematic Dickens and uncinematic words Kamilla Elliott; 12. Dickens, Eisenstein, film Garrett Stewart; 13. Orson Welles and Charles Dickens 1938-41 Marguerite Rippy; 14. David Copperfield (1935) and the US curriculum Steve J. Wurzler; 15. Dickens, Selznick, and Southpark Jeffrey Sconce; 16. Tiny Tim on screen: a disabilities perspective Martin F. Norden; Part V: Dickens composed: film and television adaptation 1897-2001 Kate Charnell Watt and Kate Lonsdale; Index.

Additional information

NPB9780521001243
9780521001243
0521001242
Dickens on Screen by John Glavin (Georgetown University, Washington DC)
New
Paperback
Cambridge University Press
20031127
238
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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