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Avant-garde to New Wave Jonathan L. Owen

Avant-garde to New Wave By Jonathan L. Owen

Avant-garde to New Wave by Jonathan L. Owen


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Summary

The cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence.

Avant-garde to New Wave Summary

Avant-garde to New Wave: Czechoslovak Cinema, Surrealism and the Sixties by Jonathan L. Owen

The cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This movement saw filmmakers use their new freedom to engage with traditions of the avant-garde, especially Surrealism. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence. The close analysis of selected films, ranging from the Oscar-winning Closely Observed Trains to the aesthetically challenging Daisies, is contextualized by an account of the Czech avant-garde and a discussion of the films' immediate cultural and political background.

Avant-garde to New Wave Reviews

Jonathan L. Owen's book will be very valuable for scholars and students of Czech and Slovak cinema and of the Czechoslovak avant-garde generally, as well as for those interested in applying poststructuralist and psychoanalytic theory to film...Each individual film analysis is rich, detailed, well-researched, and original, as Owen smoothly adapts the insights of previous scholars in formulating his own...an undeniably masterful and highly significant study. * Slavic Review

...a fine study of the Czechoslovak New Wave. It is impressively researched, well read in Czech and Slovak sources, and the contextualization of the New Wave is superb. It is original, and it offers a welcome new approach to the subject. * Slavonic & East European Review

Owen provides a useful overview of Czechoslovak avant-garde art from the 1920s to the 1980s and in-depth analysis of a number of movies, some of them not well known in the West. The book will be rewarding reading for those interested in Slavic culture, European avant-gardism, and film studies. * Choice

[T]he book's considerable lasting value lies in the quality and depth of the contextual material, accompanied by a lengthy bibliography. Owen's potted history of Czech Surrealism ... is a particularly valuable primer, as is his exploration of the peculiar historical, cultural and political conditions that allowed a surprisingly coherent film movement to spring into existence. * Sight & Sound

This book can fill a significant lacuna in the scarce international research on and publications about the [Czechoslovak] New Wave ... it presents a vital contribution to the study of the period. * Petra Hanakova, Charles University

I think this is an excellent text. It deals with a very under-researched subject in an original yet comprehensive manner. It is well-written and well-structured. * Elisabetta Girelli, University of St Andrews

About Jonathan L. Owen

Jonathan L. Owen is a Teaching Fellow at the University of St. Andrews. He completed his Ph.D. on Czech cinema at the University of Manchester. His research interests include the European cinema of the 1960s and 1970s and the Czech twentieth-century avant-garde.

Table of Contents

Introduction

Chapter 1. Inspirations, Opportunities: Cultural and Historical Contexts
Chapter 2. Pavel Juracek's Josef Kilian (1963) and A Case for the Young Hangman (1969): From the Surreal Object to the Absurd Signifier
Chapter 3. Jiri Menzel's Closely Observed Trains (1966): Hrabal and the Heterogeneous
Chapter 4. Spoiled Aesthetics: Realism and Anti-Humanism in Vera Chytilova'sDaisies (1966)
Chapter 5. Flights From History: Otherness, Politics and Folk Avant-Gardism in Juraj Jakubisko's The Deserter and the Nomads (1968) and Birds, Orphans and Fools (1969)
Chapter 6. Back to Utopia: Returns of the Repressed in Jaromil Jires'sValerie and Her Week of Wonders (1970)
Chapter 7. Jan Svankmajer: Contemporary Czech Surrealism and the Renewal of Language

Conclusion

Bibliography
Index

Additional information

NLS9780857459015
9780857459015
B00L6K6WLE
Avant-garde to New Wave: Czechoslovak Cinema, Surrealism and the Sixties by Jonathan L. Owen
New
Paperback
Berghahn Books
2013-02-01
256
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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Customer Reviews - Avant-garde to New Wave