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Box Office Archaeology Julie M Schablitsky

Box Office Archaeology By Julie M Schablitsky

Box Office Archaeology by Julie M Schablitsky


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Summary

This distinguished group of archaeologists select key subjects and genres used by Hollywood and provide the historical and archaeological depth that a movie cannot--what really happened in history. Topics include Egypt, the Wild West, Civil War submarines, Vikings, the Titanic, and others.

Box Office Archaeology Summary

Box Office Archaeology: Refining Hollywood's Portrayals of the Past by Julie M Schablitsky

How true is it? is a common refrain of patrons coming out of movie theatres after the latest film on pirates, Vikings, or mummies. While Hollywood usurps the past for its own entertainment purposes, archaeologists and historians know a lot about many of these subjects, digging up stories often more fascinating than the ones projected on screen. This distinguished group of archaeologists select key subjects and genres used by Hollywood and provide the historical and archaeological depth that a movie cannot-what really happened in history. Topics include Egypt, the Wild West, Civil War submarines, Vikings, the Titanic, and others. The book should be of interest to introductory archaeology and American history classes, courses on film and popular culture, and to a general audience. Alternate Selection, History Book Club.

Box Office Archaeology Reviews

'Discerning audiences can tell the difference between Victorian and Edwardian dress, Viking longboats and Greek fishing boats. Archaeology has helped with the verisimilitude of sets and the background for the action; however, the tale drives the characters and the action, whether strictly true or mythic, and these are in the hands of script and director. Strong chapters by archaeologists look at the movies [...].The authors are master archaeologists and fans of the cinema--a fine combination. Summing Up: Highly recommended.' C.S. Peebles, CHOICE Magazine 'This curious book will appeal to archaeologists who are annoyed when Hollywood constructs fi lm plots that do not conform to their understanding of the evidences and, far more importantly, to teachers who intend to teach history through a commentary on filmic representations...Of course we can all be fascinated by film representations of our discipline, but ultimately technical critiques such as those found throughout Box Office Archaeology must been seen as statements about archaeology rather than about cinema.' Peter Hiscock, Australian Archaeology

About Julie M Schablitsky

Schablitsky, Julie M

Table of Contents

* Chapter 1: Introduction Julie Schablitsky* Chapter 2 Unwrapping The Mummy: Hollywood Fantasies, Egyptian Realities Stuart Tyson Smith * Chapter 3 Vikings, Vixens, And Valhalla: Hollywood Depictions Of The NorseMark Axel Tveskov And Jon M. Erlandson* Chapter 4: A Pirates Life For Me! But What Did That Really Mean? Charles R. Ewen And Russell K. Skowronek* Chapter 5: Titanic James P. Delgado* Chapter 6: Voyage From Myth: Return Of The Confederate Submarine H.L. Hunley Robert S. Neyland* Chapter 7: Pocahontas Unanimated: The Life Of A Powhatan PrincessRandy Amici* Chapter 8: The Life And Times Of The Ever-Changing Hollywood IndianCharles M. Haecker* Chapter 9: Racializing Everyday Things: Material Consumption Along The Color LinePaul Mullins* Chapter 10: Five Points And The Movies: The Archaeologists RespondRebecca Yamin And Lauren Cook* Chapter 11: Western Boomtowns: The Lost EpisodesJulie M. Schablitsky * Chapter 12: Contesting Hollywood's ChinatownsStacy Camp And Bryn Williams * Chapter 13: When The Legend Becomes FactVergil E. Noble

Additional information

GOR013863568
9781598740561
1598740563
Box Office Archaeology: Refining Hollywood's Portrayals of the Past by Julie M Schablitsky
Used - Like New
Paperback
Left Coast Press Inc
20070515
256
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

Customer Reviews - Box Office Archaeology