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Hieroglyphs without Mystery Karl-Theodor Zauzich

Hieroglyphs without Mystery By Karl-Theodor Zauzich

Hieroglyphs without Mystery by Karl-Theodor Zauzich


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Summary

Written for ordinary people with no special language skills, this book quickly demonstrates that hieroglyphic writing can be read, once a few simple principles are understood.

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Hieroglyphs without Mystery Summary

Hieroglyphs without Mystery: An Introduction to Ancient Egyptian Writing by Karl-Theodor Zauzich

Marveling over the tomb treasures of Ramses II and Tutankhamen that have toured U.S. and European museums in recent years, visitors inevitably wonder what the mysterious hieroglyphs that cover their surfaces mean. Indeed, everyone who is fascinated by ancient Egypt sooner or later wishes for a Rosetta stone to unlock the secrets of hieroglyphic writing.

Hieroglyphs without Mystery provides the needed key. Written for ordinary people with no special language skills, the book quickly demonstrates that hieroglyphic writing can be read, once a few simple principles are understood. Zauzich explains the basic rules of the writing system and the grammar and then applies them to thirteen actual inscriptions taken from objects in European and Egyptian museums. By following his explanations and learning the most commonly used glyphs, readers can begin to decode hieroglyphs themselves and increase their enjoyment of both museum objects and ancient Egyptian sites.

Even for the armchair traveler, learning about hieroglyphs opens a sealed door into ancient Egyptian culture. In examining these inscriptions, readers will gain a better understanding of Egyptian art, politics, and religion, as well as language.

This book was originally published in Germany in 1980 as Hieroglyphen ohne Geheimnis.

About Karl-Theodor Zauzich

Karl-Theodor Zanzich is a professor at the Institute for Egyptology of the University of Wurzburg. Translator Ann Macy Roth holds a Ph.D. in Egyptology from the University of Chicago.

Table of Contents

  • Foreword
  • Translator's Preface
  • 1. Generalities
    • 1.1. Not for Geniuses Only
    • 1.2. Beauty as a Rule for Spelling
    • 1.3. Pictures but Not Picture Writing
    • 1.4. How Egyptologists Speak Egyptian
    • 1.5. What Is Transliteration?
  • 2. The Writing System
    • 2.1. The Egyptian Alphabet
    • 2.2. Biliteral Signs
    • 2.3. The Phonetic Complement
    • 2.4. Triliteral Signs
    • 2.5. Ideograms (Sense-Signs)
    • 2.6. Determinatives
    • 2.7. Graphic Peculiarities and Abbreviations
    • 2.8. Complication and Simplification
    • 2.9. A Little Grammar
      • 2.9.1. Grammatical Gender
      • 2.9.2. The Plural and the Dual
      • 2.9.3. Genitive Constructions
      • 2.9.4. Suffix Pronouns
      • 2.9.5. Adjectives
  • 3. Examples
    • 3.1. An Architrave of Sahure
    • 3.2. A Glazed Tile from the Palace of Ramesses II at Qantir
    • 3.3. Lintel from a Temple or Palace of Ramesses II
    • 3.4. Fragment of a Tomb Wall
    • 3.5. A Wooden Box from the Treasures of Tutankhamun
    • 3.6. Tutankhamun's Alabaster Chest
    • 3.7. The Alabaster Cup of Tutankhamun
    • 3.8. A Canopic Coffin of Tutankhamun
    • 3.9. The Canopic Chest of Tutankhamun
    • 3.10. Vignette from a Book of the Dead
    • 3.11. The False Door of Khut-en-Ptah
    • 3.12. The Tomb Stela of Tashep-Khonsu
    • 3.13. The Hieroglyphs on the Cover: A Temple Inscription
  • 4. Conclusion
    • 4.1. Selected Royal Names
    • 4.2. Names of Gods
    • 4.3. Further Study of Hieroglyphs
  • 5. Appendixes
    • 5.1. Solutions to the Problems
    • 5.2. Books on Egyptian Vocabulary and Grammar
    • 5.3. Hieroglyphic Sign List
    • 5.4. Museum Numbers and Photo Credits for the Objects Discussed

Additional information

CIN0292798040VG
9780292798045
0292798040
Hieroglyphs without Mystery: An Introduction to Ancient Egyptian Writing by Karl-Theodor Zauzich
Used - Very Good
Paperback
University of Texas Press
19921101
136
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

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