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Critical Feminism Kate Campbell

Critical Feminism By Kate Campbell

Critical Feminism by Kate Campbell


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Summary

The essays in this volume consider how feminism has affected a range of academic disciplines - psychology, art, art history, history, social work and literary criticism. The contributions on literary criticism have quite a narrow focus, while those on other subjects adopt a broad approach.

Critical Feminism Summary

Critical Feminism: Argument in the Disciplines by Kate Campbell

The essays in this volume consider how feminism has affected a range of academic disciplines - psychology, art, art history, history, social work and literary criticism. Particular attention is given to certain relationships: feminism and socialism; feminism and deconstruction; men and feminism; academic discourse and wider cultural values and theory and practice. The contributions on literary criticism deal with specific questions within that field, while those on other disciplines adopt a broad approach. The contributors are Carolyn Burdett, Kate Campbell, Lena Dominelli, John Goode, Margaret Iversin, Mary Kelly, Paula Nicolson, Griselda Pollock, Rick Rylance and Deborah Thom.

Table of Contents

Introduction - matters of theory and practice; a lop-sided view - feminist history or the history of women?; feminism and academic psychology; more than a method - feminist social work; thrown together - Olive Schreiner, writing and politics; feminism, class and literary criticism; fellow-travelling with feminist criticism; Mary Kelly and Griselda Pollock in conversation.

Additional information

GOR013764514
9780335097579
033509757X
Critical Feminism: Argument in the Disciplines by Kate Campbell
Used - Like New
Paperback
Open University Press
1992-03-01
240
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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