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Berlioz on Music Katherine Kolb (Professor Emerita of French and German, Professor Emerita of French and German, Southeastern Louisiana University)

Berlioz on Music By Katherine Kolb (Professor Emerita of French and German, Professor Emerita of French and German, Southeastern Louisiana University)

Summary

Hector Berlioz was not only a composer, but a renowned writer and critic, and his Memoirs and Evenings with the Orchestra are particularly well-known and loved. This book provides new translations of his criticism in English, taking him from his student days as a participant in musical polemics over Rossini to his first years of mature success.

Berlioz on Music Summary

Berlioz on Music: Selected Criticism 1824-1837 by Katherine Kolb (Professor Emerita of French and German, Professor Emerita of French and German, Southeastern Louisiana University)

As a composer, Hector Berlioz embodied his century as the quintessential Romantic artist. Niccolo Paganini called him Beethoven's only heir, and for a young Richard Wagner, he was dazzling as a composer, orchestra conductor, and critic. But Berlioz was known as much for his writings as for his music, and for decades Berlioz scholars have stressed the need for a good English-language anthology of his criticism. Featuring new translations and commentary by Katherine Kolb and Samuel N. Rosenberg, Berlioz on Music: Selected Criticism 1824-1837 is that volume. Berlioz's centrality as a critic results from his literary brilliance, his location in Paris - the music capital of the nineteenth century - and his 28-year tenure at the powerful Journal des debats. As one of its founding editors and principal writers, Berlioz contributed about 250 articles to the publication. Berlioz on Music comprises articles from the first 14 years of Berlioz's public writings, given in chronological order and, with few exceptions, in their entirety. Following chronology affords an overview of Berlioz's evolution as critic and of a key phase in the development of modern musical culture. The volume also presents explanatory data in engagingly composed introductions and footnotes, which elucidate Berlioz's references to persons, musical and literary works, historical events, and more. The reader is allowed to follow musical events during one of the richest periods in French cultural history, including the revolutionary decade surrounding 1830, a year marked by Victor Hugo's victory for the Romantics in the Classical bastion of the Theatre-Francais, by the premiere of Berlioz's Fantastic Symphony, and by the toppling of the Restoration monarchy. The result is an engaging collection of Berlioz's lively prose, presented with scholarly rigor and rendered in accessible English. Music historians, both professional and amateur, as well 19th century European history enthusiasts will find Berlioz on Music a compelling introduction to one of the richest periods of French culture.

Berlioz on Music Reviews

Elegantly written and meticulously researched, Berlioz on Music is a veritable treasure trove. It provides an indispensable resource for music and literary scholars by making an invaluable contribution to modern nineteenth-century studies. * Nineteenth-Century French Studies *
[A] remarkable volume ... most enlightening. Highly recommended. * W. E. Grim, CHOICE *
A fine and authoritative new translation of Berlioz's music criticism. * BBC Music Magazine *
This is a finely-judged anthology, impeccably presented and all the more valuable for its inclusion of some lesser-known treasures from the composer's early critical career. Rosenberg's translations give us Berlioz at full throttle, while Kolb's accompanying texts combine wisdom and empathy as they deftly set the scene. * Katharine Ellis, University of Bristol, author of Music Criticism in Nineteenth-Century France: La Revue et Gazette musicale de Paris, 1834-1880 *
Katherine Kolb's searching essay on the role and function of music criticism in the early 19th century provides a brilliant introduction to this selection of articles written by Berlioz in his early years, years when his views on music were as colourfully expressed as the orchestration of the Symphonie fantastique and as deeply felt as the love scene in Romeo et Juliette. * Hugh Macdonald, General Editor of the New Berlioz Edition, author of Beethoven's Century (2008), Music in 1853 (2012) and Bizet (2014) *
Berlioz was forced to write criticism for a living, and hated the necessity, but he wrote marvellously, using his position to attack what was bad and exalt what was good, with the enthusiasm and caustic humour that were his trademarks. He collected and revised some of it later in books; but this welcome anthology shows him at grips with the day-to-day Paris music scene, at the moment of putting pen to paper. * David Cairns, author of Berlioz(2000). *

About Katherine Kolb (Professor Emerita of French and German, Professor Emerita of French and German, Southeastern Louisiana University)

Katherine Kolb is Professor Emerita of French and German at Southeastern Louisiana University. She also founded and directed the Kolb-Proust Archive at the University of Illinois-Urbana, where she collaborated on the first anthology of Marcel Proust's correspondence (Marcel Proust, Lettres, Plon 2004). Samuel N. Rosenberg is Professor Emeritus of French and Italian at Indiana University, where he taught language and linguistics - including translation - and literature of the Middle Ages. His translations, like his philological scholarship, have appeared in a wide variety of publications both American and French.

Table of Contents

Contents ; 1. MUSICAL POLEMIC: On Dilettanti ; 2. MUSICAL POLEMIC: On Armide and Gluck ; 3. THE ARTS. Observations on Classical Music and Romantic Music, Le Correspondant, October 22, 1830 ; 4. Beethoven and the Egyptian Pyramids; Weber's Freischutz; Beethoven's Pastoral Symphony ; 5. Liszt, Chopin, and Ferdinand Hiller; launching of the Fantastic Symphony ; 6. MUSIC REVIEW: Mozart's Don Giovanni at the Theatre-Italien; Beethoven quartets ; 7. MUSIC REVIEW: Beethoven by the Muller Quartet; Chopin; Mozart's Don Giovanni vs. Don Juan; ; Handel festival in London ; 8. MUSIC REVIEW: Women performers; violinist Hauman's communicative emotion; Beethoven's Fifth Symphony and Shakespeare's Othello; Cherubini aria sung by Ponchard; rarity of great singers ; 9. Gluck (Part I). Gazette musicale de Paris, June 1, 1834. Biographical sketch; critique admirative of monologue from Il Telemaco ; 10. MUSIC REVIEW: Turkish music; Beethoven's Eroica booed in Bordeaux; musical conditions in the provinces; oasis of progress in Lyon ; 11. MUSIC REVIEW: Jealousy vs. solidarity among artists; trials of young composers; ironies on Conservatoire training; Henri Reber quartets; Liszt performs in his piano trio ; 12. Music Review: Choron, voice teacher and propagator of sacred music of the past; funeral service at the Invalides: Mozart Requiem, Jommelli, and Palestrina ; 13. Funeral service for Choron; Decline of religious music in France; destruction of old-regime choir schools; church ban on women singers ; 14. Rossini's William Tell (Part I) ; 15. BOIELDIEU: Funeral music for Boieldieu; survey of requiems; Cherubini ; 16. NOTICE TO READERS IDLE ENOUGH TO READ MY ARTICLES: Satirical announcement of Berlioz's upcoming concert, conducted by Girard; amusing summary of Harold in Italy ; 17. IPHIGENIA IN TAURIS (Part I): Early enthusiasm for Gluck; life-changing first experience of Gluck's masterpiece at the Opera (1821). ; 18. Music review: a Elle, Letters for Piano by Chretien Urhan ; 19. THEATRE-ITALIEN: Gabussi's Ernani ; 20. MUSIC REVIEW. OPeRA. William Tell. OPeRA-COMIQUE: Zemire et Azor (reprise). ; 21. CONCERT SOCIETY OF THE CONSERVATOIRE: First Concert [8th season] ; 22. LE MOINE, text by emilien Pacini, music by G. Meyerbeer ; 23. THIRD CONCERT AT THE CONSERVATOIRE: Symphonies by Haydn and Beethoven ; 24. Music REVIEW: Royal Academy of Music: Premiere of la Juive, opera in five acts by MM. ; 25. Music Review. Concert by the Pupils of Choron at the Hotel de Ville ; 26. CONCERT SOCIETY OF THE CONSERVATOIRE: Fourth Concert, Beethoven's Pastoral Symphony ; 27. SIXTH CONSERVATOIRE CONCERT: Analysis of Beethoven's Fifth Symphony ; 28. CONCERT BY M. LISZT ; 29. REQUIEM at the Invalides ; 30. ON THE SCORE OF ZAMPA ; 31. MUSIC REVIEW: Bellini's I Puritani at the Theatre-Italien, Cherubini's Treatise on Counterpoint-or a volume of poetry by Chaudesaigues ; 32. MOZART'S DON JUAN ; 33. Religious Music: M. Lesueur: Rachel, Noemie, Ruth et Booz, oratorios; M. Urhan: Auditions ; 34. OPERA-Comique. Concerts. Virtuosos and composers ; 35. First concert [of the season] at the Conservatoire: scene from Mozart's Idomeneo eclipses Beethoven's Seventh Symphony ; 36. LES HUGUENOTS: Acts 4 and 5 ; 37. Concerts at the Conservatoire: The Magic Flute and The Mysteries of Isis ; 38. LISZT ; 39. ANTOINE REICHA ; 40. MUSICAL ENTERTAINMENTS: Le Siege de Corinthe at the Opera; M. Ole Bull; M. Labarre and his harp school; Music of public festivals ; 41. PROGRESS OF MUSICAL EDUCATION IN FRANCE: M. Joseph Mainzer and M. Aubery du Boulley ; 42. Polytechnical Society: Awards ceremony ; 43. OPera: William Tell. Debut of Duprez ; 44. Royal Academy of Music: Premiere of La Chatte metamorphosee en femme, ballet

Additional information

NPB9780199391950
9780199391950
0199391955
Berlioz on Music: Selected Criticism 1824-1837 by Katherine Kolb (Professor Emerita of French and German, Professor Emerita of French and German, Southeastern Louisiana University)
New
Hardback
Oxford University Press Inc
2015-04-02
328
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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