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The heart, the border Ken Smith

The heart, the border By Ken Smith

The heart, the border by Ken Smith


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Summary

The poems of the The heart, the border were written first while Ken Smith was writer-in-residence at Wormwood Scrubs prison, continuing his exploration of the territory of Wormwood (1987), and then while he was living in Berlin writing a book about the Wall when the Wall come down. It was a Poetry Book Society Recommendation.

The heart, the border Summary

The heart, the border by Ken Smith

The poems of the The heart, the border were written first while Ken Smith was writer-in-residence at Wormwood Scrubs prison, continuing his exploration of the territory of Wormwood (1987), and then while he was living in Berlin writing a book about the Wall when the Wall come down. It was a Poetry Book Society Recommendation. He writes how he was at a kind of midpoint with this book, on the border with his baggage in order, coming back to tell the border tales: These are communiques from border states between the Kingdom of Pity and the Republic of Terror: poems made from the debris of separate moments brought in the poem into some kind of credibility, some sort of continuity, some sort of a life, some kind of a journey. As ever it is a journey chiefly urban and uncertain, and as ever it is shadowed by childhood. Indeed there are several voices, most of them imprisoned: Brady the childkiller and Bamber the murderer of his entire family, Jack the anonymous lad, Harry who serves his time and emerges into the larger prison of himself, and the man who retires to Herculaneum just as Vesuvius is about to blow up. These poems travel the distance between the prison wall and the Berlin Wall, they confront one prison to confront a further prison, they break away from the press of many voices and other personae into a single clear voice.

The heart, the border Reviews

Smith's writing exists in permanent disagreement with English fashion. He gives at least as much emphasis to speech as to image, often essaying an eloquent bareness that links his work with ballads and anonymous song. A huge cast of overheard characters, wanderers, losers and remembrancers passes through his writing, bound by a common sense of loss and endurance...One of the signs of an important poet is that he or she leaves with an expanded sense of imaginative possibility. -- Sean O'Brien * Sunday Times *

About Ken Smith

Ken Smith (1938-2003) was a major voice in world poetry, a writer whose work shifted territory with time, from land to city, from Yorkshire, America and London to war-ravaged Eastern Europe. He was called 'the godfather of the new poetry' because his politically edgy, cuttingly colloquial, muscular poetry influenced a whole generation of younger British poets, from Simon Armitage to Carol Ann Duffy. Ken Smith was born in Rudston, East Yorkshire, the son of an itinerant farm labourer. He worked in Britain and America as a teacher, freelance writer, barman, magazine editor, potato picker, BBC reader and creative writing fellow, and was writer-in-residence at Wormwood Scrubs prison in 1985-87. He received America's highly prestigious Lannan Literary Award for Poetry in 1997, and a Cholmondeley Award in 1998. Ken Smith was the first poet to be published by Bloodaxe, with his pamphlet Tristan Crazy in 1978. Smith's first book, The Pity, was published by Jonathan Cape in 1967, and his second, Work, distances/poems, by Swallow Press, Chicago, in 1972. His early books span a transition from his preoccupation with land and myth (when he lived in Yorkshire, Devon and America) to his later engagement with urban Britain and the politics of radical disaffection (when he lived in East London). The Poet Reclining: Selected Poems 1962-1980 (Bloodaxe, 1982; reissued 1989) covers the first half of his writing career. In 1986 Ken Smith's collection Terra was shortlisted for the Whitbread Award. In 1987 Bloodaxe published his collected prose, A Book of Chinese Whispers. Four of his collections, Terra (1986), Wormwood (1987), The heart, the border (1990) and Tender to the Queen of Spain (1993), were Poetry Book Society Recommendations. His last separate collection, Wild Root (1998), a Poetry Book Society Choice, was shortlisted for the T.S. Eliot Prize. All these collections are included in his second Bloodaxe compilation, Shed: Poems 1980-2001 (2002), the sequel to The Poet Reclining. In 1989 Harrap published Inside Time, Ken Smith's book about imprisonment, about Wormwood Scrubs and the men he met there. This was published in paperback by Mandarin in 1990. Ken Smith was working in Berlin when the Wall came down, writing a book about East and West Berlin: this turned into Berlin: Coming in from the Cold (Hamish Hamilton, 1990; Penguin paperback, 1991. He edited Klaonica: poems for Bosnia (Bloodaxe Books, 1993) with Judi Benson, and with Matthew Sweeney co-edited Beyond Bedlam (Anvil Press Poetry, 1997), a book of poems by mentally ill people. He died on 27 June 2003 from a hospital infection caught while being treated for Legionnaires' Disease, which he had contracted months earlier in Cuba. His last poems were published in You Again: last poems & other words (Bloodaxe Books, 2004) along with other uncollected work, tributes from other poets, photographs, a biographical portrait and interviews covering the whole range of his life and work. His Collected Poems was published by Bloodaxe in October 2018, coinciding with the 40th anniversary of the publication of Bloodaxe's first title, Ken Smith's Tristan Crazy (1978), and with what would have been his 80th birthday.

Additional information

GOR013743333
9781852241391
185224139X
The heart, the border by Ken Smith
Used - Like New
Paperback
Bloodaxe Books Ltd
19901025
64
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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