This is an addictive book that deserves to be up there with the likes of Gone Girl and Girl On The Train it's as good, if not better, than both. A dark and unsettling read that leaves you feeling like a voyeur of a car crash relationship (where you wouldn't look away even if you could), I really enjoyed it - 9/10 stars
-- Andrew Angel * Ebookwyrm's Book Reviews *
A couple whose uneasy relationship seems as unreliable as that in Gone Girl are driving home, a little the worse for drink, when they accidentally knock someone over, someone they know - but they choose to drive quickly on. The story, and their relationship, becomes increasingly bizarre ...
* CrimeTime *
The Black Country is a macabre triumph, whether you read it as a horror fable about love or a meditation on the controlling character of the artist. Either way, this ambitious and memorable first novel loiters like a rotting fish left behind the fridge. I mean this in a good way. The Black Country really is something else.
-- James Kidd * The Independent on Sunday *
Every so often a novel lands from out of nowhere and grabs you by the eyeballs. Gillian Flynn's Gone Girl was one such, but at least Flynn had some previous form. Kerry Hadley-Pryce's haunting and unnerving The Black Country is a debut of gothic ambition. The cover hints at David Lynch, and this twisted portrait of a marriage in continual breakdown, of distrust, paranoia and love turned to contempt is a little as though Gone Girl had been reimagined by Lynch.
-- James Kidd * South China Morning Post *
The Black Country is an excellent book, written in an astonishing voice by a very good writer, and deserves a wide audience.
-- Graeme Shimmin
