'A stunning novel . . . Kevin Powers provides what any discerning reader desires the most - complex and flawed characters, precise use of language, succinct description and believable dialogue . . . Filled with compassion, it also addresses gender issues and the taboos of class differences. Mainly the novel is about humans at their best and at their worst. One is reminded of Graham Greene's or Robert Stone's work, only set in the 21st century . . . Vivid, seemingly tossed-off descriptions abound, but the book is also filled with gems of wisdom on interior states' -- Chris Offutt * New York Times *
A deeply compelling story that is both angrier and larger in scope than its predecessor . . . A Line in the Sand succeeds . . . because of its brilliantly nuanced depiction of how veterans deal with coming home to a nation that is, in many ways, as treacherous as a war zone -- Stephen Amidon * Washington Post *
Expertly told . . . thrilling -- Mark Athitakis * Los Angeles Times *
A riveting powerhouse of a book, A Line in the Sand pits two small town cops - and a mysterious Iraqi interpreter whose secrets have already gotten a lot of people killed - against corruption and violence at the highest levels of government. A spellbinding and totally original thriller; Kevin Powers has reinvented himself as novelist yet again. -- Philipp Meyer
Sure to rank among the year's best thrillers, A Line in the Sand is a tense, twisting, and thoughtful story of the intersection between grief and greed - and the human lives crushed in the middle. Kevin Powers writes with uncommon grace, delivering the rare novel that is both propulsive and contemplative, calling to mind writers as varied as Tim O'Brien and Michael Connelly. -- Michael Koryta
Kevin Powers walks-the-walk and talks-the-talk in this compelling, frighteningly knowledgeable thriller -- Craig Johnson, author of the Longmire Series
Powers has done it again. A Line in the Sand has it all . . . Enjoy the latest from a superb storyteller -- David Baldacci, author of The 6:20 Man
A thriller, with a crime so big and characters so flawed, you'll be holding your breath the whole time . . . The book's got all the stuff you've always loved about Powers' writing: a deep and abiding understanding of what soldiers sacrifice, a thoughtful examination of the place he grew up, and prose so beautiful it'll make you weep -- Rachel Beanland, author of Florence Adler Swims Forever
Kevin Powers' story has the vivid writing, memorable characters, complex plot, and perfect pacing that we get in the best crime fiction, but A Line in the Sand is also something more: a timely indictment of a political system that attempts to disguise greed as benevolence. My admiration for Powers' writing increases with each new novel. * Ron Rash, author of Serena *
Praise for The Yellow Birds
Extraordinary . . . beautifully accomplished. The mark of an artist of the first order . . . a must-read book. -- John Burnside * Guardian *
A masterpiece . . . a classic. -- Books of the Year * The Times *
A stunning achievement - visceral [and] poignant. * Sunday Times *
Remarkable for its intensity of both feeling and expression. In this book about death, every line is a defiant assertion of the power of beauty to revivify -- Hilary Mantel * Guardian *
A wonderful, powerful novel that moves and terrifies. * Independent on Sunday *
An extraordinary novel . . . remarkable . . . stands with Tim O'Brien's enduring Vietnam book, The Things They Carried, as a classic of contemporary war fiction . . . brilliantly observed and deeply affecting. * New York Times *
An important novel by a formidable talent * Daily Mail *
Intense, painful, excellent. * Spectator *
Powers has written a compassionate, poetic evocation of war and its legacy which has already been hailed as a classic of its genre -- Books of the Year * Sunday Express *
Enormously powerful . . . Powers' writing is also attentive to nature and landscape, and he manages to entertain contradictory notions of beauty and horror. Wasn't that Fitzgerald's definition of genius? * Financial TImes *
In the great tradition of Hemingway and Tim O'Brien . . . exquisitely written -- Edna O'Brien * Guardian *
Harrowing, inexplicably beautiful, and utterly, urgently necessary * Ann Patchett *
Written with an intensity which is deeply compelling * Colm Toibin *
This is a novel I've been waiting for. The Yellow Birds is born from experience and rendered with compassion and intelligence. All of us owe Kevin Powers our heartfelt gratitude. * Alice Sebold *
One of those books that knocks your perceptions into new alignment permanently. * Barbara Kingsolver *
The Yellow Birds is the All Quiet on the Western Front of America's Arab Wars * Tom Wolfe *
Taut and enjoyable . . . Powers shows such skill in smoothly blending polemic with intrigue and (often viscerally violent) action that you'd swear he's an old hand at the thriller genre -- Jake Kerridge * Daily Telegraph *
