“This collection of speculative stories feels like being in a vivid dream that you don’t want to wake up from. Kij Johnson’s imaginative narratives are utterly surreal and somewhat dark, yet laced with wit. Their language is highly literary, almost poetic, and draws the reader deeper into Johnson’s world. . . . It’s immersive and supernatural enough to appeal to diehard fantasy fans, but also addresses universal themes like family relationships and loss. The literary prose and character-driven stories (you won’t find hard magic systems here) mean it might make a good introduction to the fantasy genre for those who usually read more grounded contemporary works. It’s simultaneously creepy and cozy, making it perfect to curl up with on a crisp autumn day.”
— Jillian Bell, BookBrowse
“In these strange and speculative stories, Johnson, who teaches fiction writing at the University of Kansas, plays with form and narrative voices in a way that’s designed to raise questions about how much we really know about one another, the past, or the nature of stories themselves.” — Daily Hampshire Gazette
? “While the entries are uniformly excellent in pacing and prose, the standouts may be the collection’s opener and closer. 'Tool-Using Mimics' spins out a half-dozen explanations for a vintage photo of a young girl with tentacles that lead to piercing questions about how much we can know about the past, other species, and each other. The titular novella, which also won a World Fantasy Award, is a compelling fairy tale about a little orphan girl and her talking hen that poignantly interrogates the ways we determine which stories take center stage. A strange and glimmering jewel for any genre fiction collection.” — Kirkus Reviews (starred review)
? "Hugo and Nebula award winner Johnson (The River Bank) returns with 14 dazzling speculative shorts. . . . The devastating title tale follows another young girl and her cherished talking hen as they barely escape a swarm of monsters who devour anything with flesh. Johnson’s keen eye for the mysteries of human nature shines as her characters experience love, loss, growth, and betrayal, all made delightfully strange. These boundary-pushing, magic-infused tales are sure to wow."
— Publishers Weekly (starred review)
Praise for Kij Johnson’s stories:
“Wondrously strange and sinister stories of other worlds, future times, and everyday life gone haywire. Plus: A cat walks 100 miles through Heian-era Japan in the loveliest short story I read all year.” — Dan Kois, Slate
“The best short-story collection I read this year was Kij Johnson’s At the Mouth of the River of Bees.” — Adam Roberts, The Guardian
“Ursula Le Guin comes immediately to mind when you turn the pages of Kij Johnson’s first book of short stories, her debut collection is that impressive. The title piece has that wonderful power we hope for in all fiction we read, the surprising imaginative leap that takes us to recognize the marvelous in the everyday.” —Alan Cheuse, NPR
“For all the distances traveled and the mysteries solved, those strange, inexplicable things remain. This is Johnson’s fiction: the familiar combined with the inexplicable. The usual fantastic. The unknowable that undergirds the everyday.” —Sessily Watt, Bookslut
“In her first collection of short fiction, Johnson (The Fox Woman) covers strange, beautiful, and occasionally disturbing territory without ever missing a beat. . . . Johnson’s language is beautiful, her descriptions of setting visceral, and her characters compellingly drawn. These 18 tales, most collected from Johnson’s magazine publications, are sometimes off-putting, sometimes funny, and always thought provoking.” — Publishers Weekly (starred review)
“[The] stories are original, engaging, and hard to put down. . . . Johnson has a rare gift for pulling readers directly into the heart of a story and capturing their attention completely. Those who enjoy a touch of the other in their reading will love this collection.” —Library Journal (starred review)
“When she’s at her best, the small emotional moments are as likely to linger in your memory as the fantastic imagery. Johnson would fit quite comfortably on a shelf with Karen Russell, Erin Morgenstern and others who hover in the simultaneous state of being both 'literary' and 'fantasy' writers.” — Shelf Awareness
“The book overflows with stories that, sentence by sentence, scene by scene, can never be taken for granted; they change in your hands, turn and shift, take on new faces, new shapes. Their breathing grows heavy, soft, then heavy again. You lean in close.”—James Sallis, F&SF
“Kij Johnson has won short fiction Nebula awards in each of the last three years. All three winning stories are in this collection; when you read the book, you may wonder why all the others didn’t win awards as well. “Ponies”, to pick just one, is a shatteringly powerful fantasy about the least lovely aspects of human social behaviour… and also about small girls and their pet horses. Evocative, elegant, and alarmingly perceptive, Johnson reshapes your mental landscape with every story she writes.” —David Larsen, New Zealand Herald
“Apparently, Johnson publishes in fantasy and SF mags because they’re the only ones who’d have her, though New Yorker should be so lucky.” — PopMatters
"'Ponies’ . . . reads like the sort of thing that might have happened if Little Golden Books had inadvertently sent a contract to Chuck Palahniuk. . . . It’s not surprising that ['The Man Who Bridged the Mist'] won the Nebula Award and garnered Hugo, Sturgeon, and Locus nominations, since it’s a stunning example of what Johnson does best – using the materials of SF, fantasy, myth, and even romance not as genres to inhabit, but as tools for building or, you could say, as a kind of story kit. ”— Locus
