Jacopo de Barbaris View of Venice, a woodcut first printed in the year 1500, presents a birds-eye portrait of Venice at its peak as an international hub of trade, art, and culture. An artistic and cartographic masterpiece of the Renaissance, the View depicts Venice as a vibrant, waterborne city interconnected by canals and bridges and filled with ornate buildings, elaborate gardens, and seafaring vessels. The contributors to A View of Venice: Portrait of a Renaissance City draw on a high-resolution digital scan of the over nine-foot-wide composite print to examine the complexities of this extraordinary woodcut and portrayal of early modern Venetian life. The essays show how the View constitutes an advanced material artifact of artistic, humanist, and scientific culture. They also outline the ways the print reveals information about the citys economic and military power, religious and social infrastructures, and cosmopolitan residents. Featuring methodological advancements in the digital humanities, A View of Venice highlights the reality and myths of a topographically unique, mystical city and its place in the world.

Contributors. Karen-edisBarzman, Andrea Bellieni, Patricia Fortini Brown, Valeria Cafa, Stanley Chojnacki, Tracy E. Cooper, Giada Damen, Julia A. DeLancey, Piero Falchetta, Ludovica Galeazzo, Maartje van Gelder, Jonathan Glixon, Richard Goy, Anna Christine Swartwood House, Kristin Love Huffman, HollyHurlburt, Claire Judde de Lariviere, Blake de Maria, Martina Massaro, Cosimo Monteleone, Monique OConnell, Mary Pardo, Giorgio Tagliaferro, Saundra Weddle, BronwenWilson, Rangsook Yoon