Ai Will Alexander Robert Allen Maya Angelou Amiri Baraka Paul Beatty David Bradley Gwendolyn Brooks Ed Bullins Barbara Christian Cheryl Clarke Lucille Clifton Wanda Coleman Edwidge Danticat Angela Davis Toi Derricotte Samuel R. Delany Rita Dove Frances Smith Foster Ernest Gaines Henry Louis Gates, Jr. Nikki Giovanni Jewelle Gomez Rosa Guy Forrest Hamer Michael S. Harper Essex Hemphill Charles Johnson June Jordan Randall Kenan Jamaica Kincaid Yusef Komunyakaa Audre Lorde Nathaniel Mackey Haki Madhubuti Clarence Major Paule Marshall Colleen McElroy Toni Morrison Walter Mosley Harryette Mullen Albert Murray Gloria Naylor Barbara Neely Pat Parker Ishmael Reed Faith Ringgold Kalamu ya Salaam Sonia Sanchez Sapphire Ntozake Shange Quincy Troupe Derek Walcott Alice Walker Afaa Michael Weaver John Edgar Wideman John A. Williams Sherley Anne Williams August Wilson Al Young
Over a period of thirty years Lynda Koolish has been photographing African American authors in their homes, at public readings, in universities, and at conferences and festivals. As this volume of her photographs presents the faces of acclaimed African American writers, it also highlights the diversity within African American literature and celebrates the many genres it explores. Koolish includes authors of diverse identities--Caribbean writers who have immigrated to the United States, writers of mixed heritage, writers who proudly proclaim their African roots, playwrights, poets, novelists, critics, scholars, short story writers, oral storytellers, and memoirists. Koolish's photographs convey a sense of clarity, warmth, and beauty. Along with each portrait she provides a short biographical essay that comprises the artistic vision of the author. Her superb gallery of fifty-nine black-and-white photographs presents a grand assembly. We know these authors, Cynthia Tucker says. We know their words. We can quote favorite passages from their essays, their poems, their novels. Yet we have rarely seen their faces. We have rarely seen them reading their works, talking to audiences, explaining their views. We know some important part of them but cannot attach to it a pair of eyes, a furrowed brow, a head full of dreadlocks. Now we can look at the eyes that see so much, that transform our understanding of the world. And we can look for, even if we cannot hope to find, the source of their genius. This is the first book devoted exclusively to photographic portraits of African American writers since Carl Van Vechten's work featuring Harlem Renaissance writers in the 1920s and 1930s.