Characters: 1 male, 2 female Unit Set Rebecca and her chronically unemployed butch girlfriend, O, have created a happy nest in their run-down walk-up in Queens, but things are starting to unravel. The more O pushes Rebecca to stop hiding their relationship, the more Rebecca's work life-writing a textbook for seventh graders about the Holocaust- begins to bleed into her personal life: She starts meeting World War II Nazis on the 7 train, passing as hipster professionals in New York City but hungry to come out about who they really are. Back home in Queens, O is also sparring with convincingly real visions: her long estranged-and recently dead?-mother keeps showing up to argue with her about her choices. This almost-love story explores the relationship between honesty and cruelty: How do you tell the truth about yourself when that truth might devastate the people you love? A tour-de-force for two actors playing eight different roles. A lucid drama. Appealingly brainy and messy, George's play never settles for an easy metaphor or emotion. It cross-examines our pat notions of history and love.- The New Yorker Grabs our interest from its first provocative line. The Zero Hour is a work to savor.- Back Stage Bold, thoughtful, and incredibly beautiful. - CurtainUp A striking new play. Refreshingly original. -TheatreMania