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Manuel de Jes(oe)s Hern ndez-Guti rrez is an Associate Professor, and David William Foster is a Regents' Professor of Spanish, Arizona State University.
êndice de Materias/ContentsManuel de Jes(oe)s Hern ndez-Guti rrez, "Prefacio: Tres d cadas de literatura chicana contempor nea" * "Preface: Three Decades of Contemporary Chicana/o Literature" * Felipe G. Castro and Edward Escobar, "Presentaci-n: Chicana/o Literature: A Generational Tapestry of Colors"
Ensayo/Essay
Francisco H. V zquez, "Chicanology: A Postmodern Analysis of Meshicano Discourse" (1992) * Ysidro Ram-n Macias, "The Evolution of the Mind" (1969) * Octavio Ignacio Romano-V., "The Historical and Intellectual Presence of Mexican Americans" (1969) * Richard Rodriguez, "Prologue: Middle-Class Pastoral" (1981) from "Hunger of Memory" * Cherrie Moraga, "La Gÿera" (1981) * Gloria Anzald(oe)a, "La conciencia de la mestiza: Towards a New Consciousness" (1987) * Jos Antonio Burciaga, "Pendejismo" (1993) * Cordelia Candelaria, "Letting La Llorona Go, or, Re/reading History's 'Tender Mercies'" (1993)
Cuento/Short Story Jorge Ulica, "Do You Speak Pocho...?" (1924) * Mario Su rez, "El Hoyo" (1947) * Tom s Rivera, "Las salamandras" (1974) * Estela Portillo Trambley, "The Paris Gown" (1975; 1993) * Rolando R. Hinojosa-Smith, "Feliz cumplea-os, E.U.A." (1979) * Alejandro Murgu'a, "A Long Walk" (1980, 1996) * Jim Sagel, "La junta" (1980) * Alberto Alvaro R'os , "Then They'd Watch Comedies" (1984) * Helena Maria Viramontes, "The Moths" (1985) * Gary Soto, "Looking for Work" (1985) * Beverly Silva, "The Cat" (1986) * Miguel M ndez-M., "Huachusey" (1986) * Gloria Vel squez, "Fugitive" (1987) * Ricardo Aguilar Melantz-n, "Cumplir mi justa condena..." (1987) * Sabine Ulibarri, "El conejo pionero" (1988) * Sergio Elizondo, "Coyote emplumado" (1988)
Poes'a/Poetry
Anonimo, "Corrido de Joaqu'n Murrieta" (c.1850) * Anonimo, "Corrido de Gregorio Cortez" (c.1901) * Jes(oe)s Maria H. Alarid, "El idioma espa-ol" (1889) * Rodolfo "Corky" Gonzales, "I Am Joaquin" (1967) * Abelardo ("Lalo" Delgado), "Stupid America" (1969) * Jos Montoya, "El Louie" (1969) * Margarita Cota-C denas, "Crisis de identidad, o, Ya no chingues" (1970) * ra(oe)lrsalinas, "Los caudillos" (1970) * Alurista (Alberto Baltazar Urista), "Tarde sobria" (1971) * Ricardo S nchez, "Barrios of the World" (1971) * Luis Omar Salinas, "Death in Vietnam" (1972) * Yolanda Luera, "Aborto" (1975) * Gary Soto, "Daybreak" (1977); "Mexicans Begin Jogging" (1981) * Jos Antonio Burciaga, "Poema en tres idiomas y cal-" (1977) * Bernice Zamora, "Notes from a Chicana 'Coed'" (1977) * Lorna Dee Cervantes, "Beneath the Shadow of the Freeway" (1977) * Alberto Alvaro Rios, "Mi abuelo" (1982) * Juan Felipe Herrera, "Are You Doing That New Amerikan Thing?" (1983) * Jimmy Santiago Baca, "Pinos Wells" (1984) * Carlos Cumpi n, "Kilotons and Then Some" (1985) * Reyes C rdenas, "Padre Nuestro Que Est s en el Banco" (1986) * Rub n Medina, "C-mo desnudar a una mujer con un saxof-n" (1986) * Gina Vald s, "Comiendo lumbre" (1986) * Tino Villanueva, "Unci-n de palabras" (1987) * Demetria Mart'nez, "Nativity: For Two Salvadoran Women, 1986-1987" (1989) * B rbara Brinson Curiel, "Recipe: Chorizo con Huevo Mado in the Microwave" (1989) * Francisco Alarc-n, "Me gusta caminar junto a tu lado" (1991) * Luis Rodriguez, "The Blast Furnace" (1991) * Alma Luz Villanueva, "Trust" (1992)
Teatro/Theater
Luis Valdez, Las Dos Carasdel Patroneito (1965); Los Vendidos (1967) * Cherrie Moraga, Giving Up the Ghost (1986, 1994)
Novela/Novel
Aristeo Brito, El diablo en Texas (1976) * Gina Vald s, There Are No Madmen Here (1981, 1996)