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Radical Satire and Print Culture 1790-1822 Marcus Wood (, Senior Lecturer, University of West Indies, Mona, Jamaica)

Radical Satire and Print Culture 1790-1822 By Marcus Wood (, Senior Lecturer, University of West Indies, Mona, Jamaica)

Radical Satire and Print Culture 1790-1822 by Marcus Wood (, Senior Lecturer, University of West Indies, Mona, Jamaica)


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Summary

Focuses on the work produced collaboratively between 1816 and 1822 by the poet and radical journalist William Hone and the brilliant young graphic satirist George Cruikshank. It shows how both men drew on their experience in the gutter press and advertising industry to produce satire.

Radical Satire and Print Culture 1790-1822 Summary

Radical Satire and Print Culture 1790-1822 by Marcus Wood (, Senior Lecturer, University of West Indies, Mona, Jamaica)

Radical Satire and Print Culture 1790-1822 focuses on the work produced collaboratively between 1816 and 1822 by the poet and radical journalist William Hone and the brilliant young graphic satirist George Cruikshank. Dr Wood provides a much needed analytical framework for Regency radical satire uncovering a set of new sources and previously unknown cultural contexts for Hone and Cruikshank's work, which is shown to combine modernity and tradition in thrilling ways. Hone fused the literary and political inheritance of eighteenth-century satire with contemporary developments in advertising , popular publishing and mass marketing; Cruikshank combined the sophisticated conventions of the political print with the most up-to-date methods of advertizing, politics and propaganda. Entertaining and original, this is an important contribution to the study of radical satire, which sheds new light on the relations between popular political authors and graphic artists and the major Romantic writers of the period.

Radical Satire and Print Culture 1790-1822 Reviews

Marcus Wood's book is an important addition to recent work on popular radicalism in the romantic period...uncovering of a "satirical inheritance" is central to his iportant argument about the historical self-conciousness of radical culture...There is no doubting his claim to have stressed the daring and even joyous nature of much radical propaganda and to have examined that work in its own terms and not as a poor cousin to the canon. That job has been carried out with an admirable combination of enthusiasm and precision. * Review of English Studies *
`a marvellously rich study, concentrating on the work of William Hone and George Cruikshank ... Marcus Wood's excellent book suggests further questions abou the consumption of revolutionary taste.' Times Literary Supplement * Library 17:4 1995Library 17:4 *
richly illustrated study * International Review of Social History *
The background materials alone that Radical Satire and Print Culture provides is worth the price of admission to the carnival world of radical satire that this book persuasively reconstructs...The rich anecdotal scene Wood constructs gains momentum into a thoroughly persuasive argument, or series of arguments,that detail the way in which the radical press waged a linguistic war against the government. * Prose Studies *
Scholars of the more flexibly defined eighteenth century tend to work accross disciplines, looking at continuities and seeking to reconstruct cultural history...Wood's Radical Satire is a significant contribution to that reconstruction...radical Satire is so deeply grounded in archival research and so well informed by critical intelligence that it is one of the most important studies of verbal and visual satires during the period 1700-1822. It is also a very significant historical study of the genre of parody during the long eighteenth century.
valuable and study ... Wood's achievement in presenting the work of Spence and Hone within the framework of the traditions they inherited is undeniable, and his work will be essential for any future understanding of the cultural world in which Romanticism existed. * P.M.S. Dawson, University of Manchester, Romanticism *
an important addition to recent work on popular radicalism in the Romantic period ... There is ... no doubting his claim to have 'stressed the daring and even joyous nature of much radical propaganda' and to have 'examined that work in its own terms and not as a poor cousin to the canon'. That job has been carried out with an admirable combination of enthusiasm and precision. * John Whale, University of Leeds, Review of English Studies, Vol. XLVII, No. 188, Nov '96 *

Table of Contents

Introduction - "The potatoes speak for themselves"; advertising, politics and parody 1710-1780' Eaton, Spence and modes of radical subversion in the Revolutionary Era; radicals and the law - blasphemous libels and the three trials of William Hone; radical puffing - parodic advertising and newspapers; "The Political House that Jack Built" - children's publishing and political satire; conclusion - satire, radicalism and radical Romanticism. Appendix: a transcription of the original manuscript version of "The Late John Wilkes's Catechism of a Ministerial Member".

Additional information

NPB9780198112785
9780198112785
0198112785
Radical Satire and Print Culture 1790-1822 by Marcus Wood (, Senior Lecturer, University of West Indies, Mona, Jamaica)
New
Hardback
Oxford University Press
1994-07-28
336
N/A
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