This is the kind of book you ration yourself reading because you don't want to get to the end. A gripping, beautifully written novel showing the light and shade of modern family life * Daily Mail *
Written in elegant, spare prose, this story flies swiftly forward from the transfixing opening pages. A charming, complicated family dynamic, a twist of eerie magic -- Tessa Hadley
Exquisite . . . Livesey's writing is quiet, observant and beautifully efficient * New York Times *
A superb family drama -- Wendy Holden * Daily Mail, Best Books of 2020 *
I loved every single sentence of The Boy in the Field. This novel is so intricately woven, its world so vibrantly built, its characters so beautifully and empathically wrought. To experience the world as rendered by Margot Livesey is a singular, extraordinary delight. -- Claire Lombardo, author of THE MOST FUN WE EVER HAD
Elegant writing, intriguing and subtle -- Lucy Atkins
Luminous... Livesey's language is crystalline-clear and immersive, replete with vibrant imagery... Full of kindness * Boston Globe *
How lucky the world is that Margot Livesey has turned her usual keen and sympathetic writer's eye to the Lang children - Duncan, Zoe, and Matthew- as they struggle to make sense of a terrible crime and the sensitive, mysterious young victim who suffers in the aftermath. From its taut and frightening opening chapter to its final, mournful pages, The Boy in the Field is a tender, deeply humane exploration of family, philosophy, and what it means to grow up, to keep secrets, to care for one another, and most importantly, what it means to hold another's heart in yours, always, with tenderness and mercy -- Elizabeth Wetmore, author of VALENTINE
Family bonds are fraught, fragile, yet ultimately enduring in Livesey's nuanced account of the siblings' separate but conjoined odysseys . . . Livesey demonstrates . . . respect for the mysteries of the human heart . . . Quietly yet powerfully affecting. * Kirkus (starred) *
Every character rings true; every observation and reaction feels real. Braiding three separate views of the same incident, Livesey weaves a masterful tapestry of emotion and action focused on the indelible impact of random events * Booklist (starred review) *
Livesey deftly portrays the rich inner lives of adolescents . . . [she] does well by her teenage protagonists while offering a vivid portrait of life among intellectuals in an Oxford-vicinity village. * Library Journal *
Margot Livesey has the unique ability to find the hidden darkness beneath the surface of our lives, no matter how deeply buried. A deceptively simple story that explores the aftermath of a moment of violence, The Boy in the Field amazed me with its insight, and the subtlety of Livesey's beautiful, almost dreamlike prose. -- Kevin Wilson, author of NOTHING TO SEE HERE
Filled with detailed observation and a precisely delineated plot, The Boy in the Field will please readers who enjoy coming-of-age stories written with psychological precision and empathy. * BookPage *
A stunning novel of tenderness, interconnectedness, cause and effect . . . this brilliant novel offers a sense of beauty and safety in its quiet ruminations * Shelf Awareness *
Margot Livesey is a searingly intelligent writer at the height of her powers. -- Jennifer Egan
Every novel of Margot Livesey's is, for her readers, a joyous discovery. Her work radiates with compassion and intelligence and always, deliciously, mystery -- Alice Sebold, author of THE LOVELY BONES
Margot Livesey should be better known . . . [She] writes as well as anyone and is clearly steeped in the literary canon . . . She's a patient builder of complex characters who are often brought face to face with uncomfortable truths about themselves. -- Mark Kamine * Wall Street Journal *
Livesey knows her way around human desire and disappointment. * New York Times *
MERCURY explores that thrilling, terrifying moment when grief turns blind, when passion becomes obsession. As always, Livesey tells her tale masterfully, with intelligence, tenderness and a shrewd understanding of all our mercurial human impulses. -- Lily King on MERCURY
Consuming . . . Explores themes of honesty and understanding by showing the impact that obsessions - grief, rapacity - can have on a marriage * New Yorker on MERCURY *
