Sex and Sensibility in the Novels of Alan Hollinghurst by Mark Mathuray
Winner of the British Association for Contemporary Literary Studies (BACLS) 2017 Edited Collection Prize
This book is a challenging and engaging collection of original essays on the novels of Alan Hollinghurst, Britains foremost gay writer and the English novels master stylist. The essays engage the precarious and shifting relationship between sex and literary sensibility in his novels and, thus, also attempt to establish the parameters of a new critical discourse for future research on Hollinghursts novel, queer theory and the contemporary literary representations of masculinity and sexuality. By coupling the consideration of Hollinghursts aesthetics, his sensuously evocative style, to an interrogation of the social, political and sexual currents in his texts, the contributors of this collection provide distinctive interpretations of Hollinghursts novels, from Hollinghursts uncovering of a gay artistic heritage to his re-signification of earlier English literary styles, from his engagement with the Symbolist fin de siecle to his critique of aestheticism, etc., whilst paying close attention to the formally innovative qualities of his texts.
This book is a challenging and engaging collection of original essays on the novels of Alan Hollinghurst, Britains foremost gay writer and the English novels master stylist. The essays engage the precarious and shifting relationship between sex and literary sensibility in his novels and, thus, also attempt to establish the parameters of a new critical discourse for future research on Hollinghursts novel, queer theory and the contemporary literary representations of masculinity and sexuality. By coupling the consideration of Hollinghursts aesthetics, his sensuously evocative style, to an interrogation of the social, political and sexual currents in his texts, the contributors of this collection provide distinctive interpretations of Hollinghursts novels, from Hollinghursts uncovering of a gay artistic heritage to his re-signification of earlier English literary styles, from his engagement with the Symbolist fin de siecle to his critique of aestheticism, etc., whilst paying close attention to the formally innovative qualities of his texts.