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Fifty-four Conceits Martin Armstrong

Fifty-four Conceits By Martin Armstrong

Fifty-four Conceits by Martin Armstrong


$10.00
Condition - Like New
Only 1 left

Summary

Originally published in 1933, this is a charming book of verse written by Martin Armstrong and illustrated with wood-engravings from the skilled hands of Eric Ravilious.

Fifty-four Conceits Summary

Fifty-four Conceits: A Collection of Epigrams and Epitaphs Serious and Comic by Martin Armstrong

Originally published in 1933, this is a charming book of verse written by Martin Armstrong and illustrated with wood-engravings from the skilled hands of Eric Ravilious.

About Martin Armstrong

Eric Ravilious (1903-1942) was a painter, designer, muralist, book illustrator and wood engraver. He grew up in East Sussex, and is particularly known for his watercolours of the South Downs. He was a contemporary of Edward Bawden and Enid Marx, having studied under Paul Nash at the Royal College of Art. He lived in Castle Hedingham before moving to Great Bardfield, a village in Essex which became a magnet for like-minded artists. He served as a war artist, and died when the aircraft he was in was lost off Iceland. Martin Armstrong (1882-1974) was an English writer and poet, known for his stories. He was born in Newcastle-upon-Tyne, and educated at Charterhouse and Pembroke College, Cambridge. He served in World War I in the British Army in France - a Private in the Artists' Rifles, he was commissioned into the Middlesex Regiment in 1915 and promoted Lieutenant in 1916. He was included in the final Georgian Poetry anthology.

Additional information

GOR010362730
9781910787946
1910787949
Fifty-four Conceits: A Collection of Epigrams and Epitaphs Serious and Comic by Martin Armstrong
Used - Like New
Hardback
Unicorn Publishing Group
20170501
72
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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