In his tremendously stimulating aesthetics of cinema, Martin Seel writes that films absorb the presence of the spectator more than all other works of art.... One of the merits of his book is that it is informed by a wide spectrum of film history, from the Marx Brothers to Fassbinder.
* Frankfurter Allgemeine Zeitung *
In his stimulating volume, the philosopher Seel looks for the essence and especially the particularity of the cinema, tracing the roots of cinema in other arts. According to Seel, film takes up elements from all of these arts and realizes its unique potential. Films like Hitchcock's North by Northwest or Antonioni's Zabriskie Point explode the boundaries of space and draw all of the spectator's senses into it.
* Deutschlandfunk [German Public Radio] *
An exciting work of 'philosophy meets cinema'-intellectually sophisticated but written in a rich, playful style-this book is both impressive and delightful.
* academicworld.net *
Seel grounds his philosophical work in close textual analysis of a small selection of representative films, including Hollywood classics, such as The Searchers; art films, such as Cache; and more recent action films, such as The Bourne Supremacy. As a work of philosophy and film theory, the book is notable for its lively engagement with complex ideas and for its inviting prose. It will appeal primarily to those with a strong interest in film aesthetics.
* Choice *
Anyone who studies, watches, or appreciates films for their beauty and artistic value will enjoy Seel's musings in philosophy and art.
* Communication Booknotes Quarterly (CBQ) *
