How does one commune with the dearly departed? Although listeners won't know the nature of young Sylvester's grandmother's absence until they piece together context clues, this is the matter the child is working out... Poet Burgess and artist Cochran-the team that produced
Drawing on Walls (2020)-expertly capture an imaginative child's perspective and logic with lovely, alliterative language and wordless spreads rendered in brilliant colors and markerlike scrawls. A marvelous double gatefold portrays the entire journey... A nuanced celebration of the lasting joy that intergenerational friendship inspires.
-Kirkus, STARRED REVIEW
Loss fuels a creative contemplation of love in this imaginative story of memoriam from the creators of Drawing on Walls... Cochran works in dynamic, pixelated art that pulses with color... Merging fantasy and reality, the creators pay tribute to the way Sylvester's love helps to process longing and sorrow. -Publishers Weekly
Writer Matthew Burgess and illustrator Josh Cochran use buoyant language and joyful colors to show a young boy's love for his dead grandmother and his determination to get a letter delivered to her. Any parent who has ever had a child rush up to explain the minutiae of, say, a newly built Lego spaceship will recognize the tremendous excitement, the wild imaginativeness, of the boy as he explains how he will dispatch his letter via a team of skydivers... and, and!-as two pages open out in a gatefold, the whole extravagant vision bursts into view. -Wall Street Journal
The whimsical images created with bold colors and thick brushstrokes have a kidlike energy and charm. Wordless spreads, including a gatefold that shows everything in this child's mind and heart, give readers the opportunity to digest the magnitude of his emotions... The specificity of Sylvester's experience gives this book a wistful note, and the ambiguity allows for the opportunity to consider many types of absence. -The Horn Book
At the beginning of the book, Sylvester is writing a letter to the 'greatest Grandma'. His vivid and exuberant illustrations show what he would want to tell his special grandmother if he could... Gradually we begin to understand that Sylvester's grandmother is dead and that is the reason that he is having such difficulty getting his letter to her. The illustrations are reflective of Sylvester's imagination and fill the pages with color and swoopy exuberance... A big 'I Love You' covers part of the last page. The message got through. -Pam Watts, Head of Children's Services (Robbins Library, Arlington, MA), for Youth Services Book Review, STARRED REVIEW