[Broyles] serves as an intellectual, hyper-informed but genial tour guide to a potentially sprawling subject. Though the book is dense in research, it is never pompous; it could serve as a model for how serious musicological study can be generously shared with interested parties who don't happen to be in the same profession.
* Santa Fe New Mexican *
[T]hanks to Broyles' book, we're a little bit closer to understanding Beethoven's lasting impression on American culture.
* stereosubversion.com *
Broyles pens an engaging and fascinating text, relying on copious amounts of research supplemented with myths and mysteries to rebuild and develop the image of Beethoven. . . . The language of [the] text is accessible and avoids unnecessary scholarly jargon or extensvie musicological terms.
* popmatters.com *
...[M]akes the case that not only was Beethoven the all-around musical stud of musical studs, he might be the greatest of all musical ingratiators, turning up in our American corner of the universe, again and again, and more than most of us realize.
* Washington Post Book World *
Beethoven in America remains an engaging and valuable work of cultural history. The breadth of Broyles's knowledge about Beethoven's public presence is astounding, and this is the rare academic book that has thoughtful discussions of Ralph Waldo Emerson, Adrienne Rich, Amiri Baraka, and Yngwie Malmsteen. That people from such diverse circles felt connections to Beethoven is brilliantly demonstrated, and this is ultimately a fascinating analysis of the strange career of Beethoven as a multipurpose icon.
* Journal of American History *
[Beethoven in America] is packed with Beethoven facts and also takes a unique approach.
* CHOICE *
[T]his book is as much cultural history as musicology, and this makes it useful across disciplines. Like Beethoven's person and music, it is varied and interesting and suggests many possibilities for future research.
* Music Reference Services Quarterly *
