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Monsters in Performance Michael Chemers (UC Santa Cruz, USA)

Monsters in Performance By Michael Chemers (UC Santa Cruz, USA)

Monsters in Performance by Michael Chemers (UC Santa Cruz, USA)

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Summary

Monsters in Performance boasts an impressive range of contemporary essays that delve into topical themes such as race, gender, and disability, to explore what constitutes monstrosity within the performing arts. An essential book for Theatre and Performance students of all levels as well as scholars.

Monsters in Performance Summary

Monsters in Performance: Essays on the Aesthetics of Disqualification by Michael Chemers (UC Santa Cruz, USA)

* Showcases an exploration of monstrosity in performance through key themes including race, gender and sexuality, disability studies
* Interdisciplinary book that will be relevant to students and scholars from many backgrounds including Theatre and Performance, Cultural Studies, Gender Studies, Disability Studies
* Uniquely international approach to the study of monstrosity which sets it apart from other books whose focus are more Eurocentric/Western

About Michael Chemers (UC Santa Cruz, USA)

Michael M. Chemers is Professor and Chair of the Department of Performance, Play & Design at the University of California Santa Cruz. He was the Founding Director of the Bachelor of Fine Arts in Production Dramaturgy Program at Carnegie Mellon University's School of Drama from 2007-2012. He is the author of more than 70 peer-reviewed pieces (including seven books) on theater history, theory, adaptation, and dramaturgy. Most relevant to this project, he is the author of Staging Stigma: A Critical Examination of the American Freak Show (Palgrave MacMillan, 2008), The Monster in Theatre History: This Thing of Darkness (Routledge, 2017), served as editor for a double issue of Disability Studies Quarterly on freak shows, and edited Alexander Iliev's Towards a Theory of Mime (Routledge, 2014) and Luis Valdez's Theatre of the Sphere: The Vibrant Being (Routledge, 2021). He is also the author of Ghost Light: An Introductory Handbook for Dramaturgy (Southern Illinois University Press, 2010) and has articles appear in Modern Drama, New England Theatre Journal, Comparative Drama, Theatre Topics, LMDA Review, and other publications. Recent book chapters include The Mortification of Harvey Leach.

Analola Santana is Associate Professor in the Department of Theater at Dartmouth College. She is the author of Teatro y Cultura de Masas: Encuentros y Debates (Mexico: Editorial Escenologia, 2010) and Freak Performances: Dissidence in Latin American Theatre (University of Michigan Press, 2018), which considers the significance of theatrical practices that use the freak as a medium to explore the continuing effects of colonialism on Latin American identity. She is also the co-editor of Theatre and Cartographies of Power: Repositioning the Latina/o Americas (Southern Illinois University Press, 2018) and Fifty Key Figures in Latinx and Latin American Theatre (Routledge, 2022). She has published articles in several journals, including GESTOS, Latin American Theatre Review, Letras Femeninas, Paso de gato, Chasqui, Theatre Topics, Theatre Journal and Cuadernos de literatura. She works as a professional dramaturg and is a company member of Mexico's famed Teatro de Ciertos Habitantes.

Table of Contents

Introduction: Monsters and Performance Culture: Five New Theses

Michael M. Chemers and Analola Santana

Mythic Deviance

1. Bali's Rangda and Barong in Cosmic Balancing

Kathy Foley

2. Exterminating the Phantom: Nativist Constructions of Contagion and Monsters in Nineteenth-Century New York City

Mia Levenson

3. Married to the Monster: Gender and Moral Ambiguity on the Gothic Stage

Aoise Stratford

4. The Xtaabay as Monstrous Woman: Gender in Maya Cultural Production in the Yucatan Peninsula

Sarah Campbell

Forbidden Eroticism

5. Monstrous Arousals: La Rose, Un Faune, La Faune

Penny Farfan

6. Girl/Not Girl: The Hemispheric Monsters of Alexis Scheer's Our Dear Dead Druglord

Lisa Jackson-Schebetta

7. Defending the Patriarchy: The Monstrous (Queer) Other and the Anti-Carnivalesque

Catherine (Katya) Vrtis

8. Monsters of Africa and the Loss of Identity

Anita Gonzalez

The Monstrous Body

9. A Genealogy of the Fu Manchu Moustache

Esther Kim Lee

10. Uncanny Affect, Performing Prosthetics: Disability, Monstrosity, and the Puppet

Laura Purcell-Gates

11. Monstrosity in a Pandemic: Hypercapacity, Debility, and Death in Repo! The Genetic Opera

Samuel Yates

12. On the Afterlife of Teratological Specimens

Margaret Werry

Strange Families

13. She Ain't Gonna Break: Theorizing the Life, Bare Life, and Living Dead Girls in The Devil's Rejects.

K. Scarlett Harrington and Bernadette Marie Calafell

14. Nuclear Normativity, Monstrous Masculinity, and Matter in Burning Vision.

Liz Fairchild

15. Undocumented Zombies: US-Mexican Immigration, The Walking Dead, and the Effort/Shape of Monsters

Jeff Kaplan

Additional information

NPB9780367635411
9780367635411
0367635410
Monsters in Performance: Essays on the Aesthetics of Disqualification by Michael Chemers (UC Santa Cruz, USA)
Michael Chemers (UC Santa Cruz, USA)
New
Paperback
Taylor & Francis Ltd
2022-06-01
234
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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