A swift and elegant introduction to Spielberg's life and work.-David Denby, New Yorker
'Everything about me is in my films,' Spielberg once said. Yet in this compact study of a sprawling career, Haskell comes close to presenting a unified theory of a director who entertains multitudes, and contains them too.-Victoria Segal, Sunday Times
A superbly readable portrait of the man through his movies . . . this meeting of the minds of the critic and the director turns out to be exceptionally fruitful.-Kate Muir, Times (London)
The exploration here is lively, the critic is deeply informed, and she approaches her mandate with a calmness of inquiry that is a gift often bestowed on the outsider anthropologist impervious to tribal influences.-Lisa Schwarzbaum, New York Times Book Review
Luckily, Molly Haskell is far too wise a critic to be flummoxed by Mr. Spielberg's seemingly critic-proof oeuvre. She nails Mr. Spielberg when he needs to be nailed . . . Ms. Haskell's great on the movies that give her something to write about, like 'Duel,' 'Jaws,' and 'Empire of the Sun.'-Scott Eyman, Wall Street Journal
This fascinating critical study and close reading of the movies, written by a prominent feminist film critic, focuses on the evolution of Spielberg's Jewish identity.-New York Times Book Review, Editors' Choice
As Haskell delves into her subject, however, she discovers the influences and challenges that shaped this outsize figure in American mainstream cinema, including his denied, then embraced Jewish faith, and comes up with a compelling and remarkable figure.-Sarah Jilani, Times Literary Supplement
In a long nomadic career of film writing, the feminist critic Molly Haskell has never wild about Spielberg, her taste steeped in the great auteurs, her signature a coolly playful rigour. Unexpectedly, this makes her the perfect biographer for a director with a life-long weakness for treacle. Spielberg emerges with his credibility enhanced for having been put through the wringer.-Danny Leigh, Financial Times
Legendary movie critic Haskell weaves Spielberg's entire body of work through her captivating narrative, providing a poignant study of him as a person and a filmmaker.-Publishers Weekly
Haskell's discussion of the childlike wonder inherent to many of the director's films and her eloquent defense of some of his riskier, less successful movies is particularly valuable. . . . Recommended for readers of film criticism or commentary.-Library Journal
[Haskell] takes Spielberg's statement that 'everything about me is in my films' and provides a fascinating portrait of the man and his entire oeuvre, illustrating just how entwined they are. She reveals that this extraordinarily gifted individual would translate 'not only his childhood but whatever he was feeling and experiencing at any given time' into his films.-Anne Joseph, Jewish Chronicle
Haskell has turned out a brilliant, almost exemplary book: in 200-odd pages it manages to precis the key facts of Spielberg's off-camera life and distill the essence and flow of his evolving, shifting cinematic achievements . . . an excellent critical biography of a great film director, and is warmly recommended.-Andrew Pulver, Jewish Renaissance
This unlikely match of biographer and subject gives [Haskell's]study the tension and snap of a good romantic comedy. . . . An essential volume on an artist whose aversion to interviews has shortened the shelf of worthwhile studies on him.-Guy Lodge, The Observer
An arresting set of connections, linking the stresses of childhood and adolescence with the defining themes of his expensive output, ultimately taking a view on Spielberg as a more personal filmmaker than many of his contemporaries . . . a filmmaker this refreshing volume make you keen to reassess, or perhaps indeed visit for the first time with new eyes.-Trevor Johnson, Sight & Sound
Molly Haskell, one of our most essential authorities on the movies, has written a fascinating, witty, acutely discerning book about a subject that would seem, at first glance, odd. But what a spectacular match it proves to be! Spielberg is given his proper due, and Haskell outdoes herself.-Phillip Lopate, author of American Movie Critics
Steven Spielberg and Molly Haskell-the great producer-director of modern film and one of the most intelligent and sensitive film writers we have ever had. The result is as rich and intriguing as the meeting of Elliott and E.T. We know the Spielberg films, or we think we do, until they come under the cool yet warming gaze of Ms. Haskell. As a result, we are the more fascinated with Spielberg and the more encouraged by the principle of essential and enlightening film commentary.-David Thomson, author of A Biographical Dictionary of Film
Molly Haskell's writing is always thought provoking and rife with insight. She skillfully argues that Hollywood's most commercially successful film maker has, over a forty-five-year career, produced a series of highly personal films that give voice to the director's inner conflicts and longings. This persuasive re-think will no doubt intrigue fans and, in fact, anyone who has ever watched a Spielberg movie. A must for anyone interested in a serious look at popular cinema.-Joseph Egan, author of The Purple Diaries
This is a wonderful book, at once personal and critical, eloquent and vivacious. The book vibrates with a productive tension between the writer and her subject.-Morris Dickstein, author of Dancing in the Dark and Why Not Say What Happened
