Praise for Voices in the Dead House
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A unique look at the Civil War. . . . Through his characters' struggles, Lock ably portrays the concerns of that day-prejudice, the strength of the Union, and America's position in the world-which still exist in this one. -Washington Independent Review of Books
Gripping. . . . Distinctive. . . . A haunting novel that offers candid portraits of literary legends. -Kirkus Reviews (starred review)
A stunning historical novel that brings history and literature together to share a singular perspective on the Civil War. -Foreword Reviews
A twin tale of two literary luminaries. . . . Lock's deep knowledge of the time period is evident throughout, his research impeccable, his prose iridescent. -Booklist
Immersive. . . . Lock's uncanny gift for reproducing the literary voices of his narrators goes beyond mere pastiche. This insightful double portrait brings both Whitman and Alcott into sharp focus. -Publishers Weekly
Lock captures the strong personalities of Whitman and Alcott without glossing over their flaws in this fascinating snapshot of history. -Library Journal
Lock's lyrical prose encompasses themes ranging from American Exceptionalism and Manifest Destiny to racism. -Historical Novels Review
Select Praise for Norman Lock's The American Novels Series
Norman Lock has created a memorable portrait gallery of American subjects, in a succession of audaciously imagined, wonderfully original, and beautifully written novels unlike anything in our literature. -Joyce Carol Oates
Shimmers with glorious language, fluid rhythms, and complex insights. -NPR
Our national history and literature are Norman Lock's playground in his dazzling series, The American Novels. . . . [His] supple, elegantly plain-spoken prose captures the generosity of the American spirit in addition to its moral failures, and his passionate engagement with our literary heritage evinces pride in its unique character. -Washington Post
Lock writes some of the most deceptively beautiful sentences in contemporary fiction. Beneath their clarity are layers of cultural and literary references, profound questions about loyalty, race, the possibility of social progress, and the nature of truth . . . to create something entirely new-an American fable of ideas. -Shelf Awareness
[A] consistently excellent series. . . . Lock has an impressive ear for the musicality of language, and his characteristic lush prose brings vitality and poetic authenticity to the dialogue. -Booklist
On The Boy in His Winter
[Lock] is one of the most interesting writers out there. This time, he re-imagines Huck Finn's journeys, transporting the iconic character deep into America's past-and future. -Reader's Digest
On American Meteor
[Walt Whitman] hovers over [American Meteor], just as Mark Twain's spirit pervaded The Boy in His Winter. . . . Like all Mr. Lock's books, this is an ambitious work, where ideas crowd together on the page like desperate men on a battlefield. -Wall Street Journal
On The Port-Wine Stain
Lock's novel engages not merely with [Edgar Allan Poe and Thomas Dent Mutter] but with decadent fin de siecle art and modernist literature that raised philosophical and moral questions about the metaphysical relations among art, science and human consciousness. The reader is just as spellbound by Lock's story as [his novel's narrator] is by Poe's. . . . Echoes of Wilde's The Picture of Dorian Gray and Freud's theory of the uncanny abound in this mesmerizingly twisted, richly layered homage to a pioneer of American Gothic fiction. -New York Times Book Review
On A Fugitive in Walden Woods
A Fugitive in Walden Woods manages that special magic of making Thoreau's time in Walden Woods seem fresh and surprising and necessary right now. . . . This is a patient and perceptive novel, a pleasure to read even as it grapples with issues that affect the United States to this day. -Victor LaValle, author of The Ballad of Black Tom and The Changeling
On The Wreckage of Eden
The lively passages of Emily [Dickinson's]'s letters are so evocative of her poetry that it becomes easy to see why Robert finds her so captivating. The book also expands and deepens themes of moral hypocrisy around racism and slavery. . . . Lyrically written but unafraid of the ugliness of the time, Lock's thought-provoking series continues to impress. -Publishers Weekly
On Feast Day of the Cannibals
Lock does not merely imitate 19th-century prose; he makes it his own, with verbal flourishes worthy of [Herman] Melville. -Gay & Lesbian Review
On American Follies
Ragtime in a fever dream. . . . When you mix 19th-century racists, feminists, misogynists, freaks, and a flim-flam man, the spectacle that results might bear resemblance to the contemporary United States. -Library Journal (starred review)
On Tooth of the Covenant
Splendid. . . . Lock masters the interplay between nineteenth-century [Nathaniel] Hawthorne and his fictional surrogate, Isaac, as he travels through Puritan New England. The historical details are immersive and meticulous. -Foreword Reviews (starred review)
On The Ice Harp
In The Ice Harp, Norman Lock deftly takes us into the polyphonic swirl of Emerson's mind at the end of his life, inviting us to meet the man anew even as the philosopher fights to stop forgetting himself. Who will I be when the words are gone, the great thinker wonders, and how will I know what is right? I gladly asked myself these same impossible questions on every page of this remarkably empathetic and deeply moral novel. -Matt Bell, author of Appleseed and Refuse to Be Done
