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Branded Women in U.S. Television Peter Bjelskou

Branded Women in U.S. Television By Peter Bjelskou

Branded Women in U.S. Television by Peter Bjelskou


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Summary

This book examines product placement and brand integration in U.S. television. Using examples from 1950s television sponsorship to The Real Housewives, Bjelskou illustrates how the commercialization of TV programing affects both formats and narratives and how these genres are in conversation with contemporary political and social environments.

Branded Women in U.S. Television Summary

Branded Women in U.S. Television: When People Become Corporations by Peter Bjelskou

Branded Women in U.S. Television examines how The Real Housewives of New York City, Martha Stewart, and other female entrepreneurs create branded televised versions of the iconic U.S. housewife. Using their television presence to establish and promote their own product lines, including jewelry, cookware, clothing, and skincare, they become the primary physical representations of these brands. While their businesses are serious and seriously lucrative, especially reality television enables a certain representational flexibility that allows participants to create campy and sometimes tongue-in-cheek personas. Peter Bjelskou explores their innovative branding strategies, specifically the complex relationships between their entrepreneurial endeavors and their physical bodies, attires, tastes, and personal histories. Generally these branded women speak volumes about their contemporaneous political environments, and this book illustrates how they, and many other women in U.S. television history, are indicative of larger societal trends and structures.

Branded Women in U.S. Television Reviews

[T]his book-length study of The Real Housewives of New York City offers sustained analysis of the show's housewife-entrepreneur stars. . . .I learnt a great deal from Bjelskou's opening overview of 'Women and Products as a Staple in US Television', as well as from the following chapter on the branding of RHONY's network Bravo TV. . . . Bjelskou remind[s] us forcefully that the medium's capacity for bestowing value on products outside itself cannot be detached from the specific representational politics of its particular mode of entertainment. * Critical Studies in Television: The International Journal of Television Studies *
Peter Bjelskou admirably synthesizes a half century of cultural critiques of the audience/commodity nexus, and takes the critique a full step further in his groundbreaking analysis of Real Housewives of New York. This Bravo cable reality show features women who are neither real nor housewives, but are the most current version of the modernist conflation of hucksterism and culture. Identifying matches between everyday life and television is the holy grail of cultural studies, and Branded Women in U.S. Television is a solid new contribution. Scholars and students of media, cultural, and American studies will appreciate the accessibility of Bjelskou's treatment of this important topic. -- Frederick Wasser, Brooklyn College, City University of New York
In this exceptionally well-written book, Bjelskou skillfully navigates Bravo's commercial offerings where viewers are regaled with narratives of conspicuous consumption and not the everyday lives of average housewives. Here is a clear view into television's latest entertainment that explains in detail how these programs make cultural sense of the present neoliberal moment. Ultimately these insights reveal a new level of commodification where product-pushing housewives become themselves, the brand. -- Robin Andersen, Fordham University

About Peter Bjelskou

Peter Bjelskou teaches American history, politics, and cultural studies at the University of Copenhagen.

Table of Contents

Part I Chapter 1: Introduction Chapter 2: From Midcentury Housewives to Martha Stewart: Women and Products as a Staple in U.S. Television Chapter 3: Zeitgeist and Camp at Bravo TV Part II Chapter 4: The Entrepreneurial Housewife: Jill Zarin and Alex McCord's Branded Versions of the Domestic Goddess Chapter 5: The Curious Presence of the Upper Class in Reality TV: Countess LuAnn de Lesseps and Sonja Tremont Morgan Chapter 6: Embodying Neoliberalism: Bethenny Frankel's Skinnygirl Empire Conclusion

Additional information

NLS9781498507387
9781498507387
1498507387
Branded Women in U.S. Television: When People Become Corporations by Peter Bjelskou
New
Paperback
Lexington Books
2016-06-02
146
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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