Phil O'Brien argues that the novels explored in this work offer ways of understanding fundamental aspects of contemporary capitalism for the working class in modern Britain, including class struggle, inequality, trauma, social abjection, racism, and stigmatization.
'What does it mean to be working class in the twenty-first century, decades after industrial jobs and strong unions have given way to low-wage service jobs, contingent labour, and precarity? This book traces how deindustrialisation literature wrestles with this question, revealing how class itself is being reimagined and reshaped by economic restructuring and neoliberalism - while also introducing readers to a range of engaging and entertaining books worth reading'.
Sherry Lee Linkon, Georgetown University, USA.
'This book makes a compelling case for the intersections between class and contemporary literature. It brings the academic study of working-class writing bang up to date'.
Nicola Wilson, University of Reading, UK.
The Working Class and Twenty-First-Century British Fiction is as thoughtful as it is rigorous. Its arguments are compelling and its close readings convincing; for these reasons alone it would make a valuable addition to university libraries. But for the wider implications of its secondary argument, that fiction has the potential to make significant interventions into critical discourses, it deserves a place on any contemporary fiction reading list. As the book's final words attest, 'class matters' (154), and it will go on mattering; the same goes for fiction, and O'Brien shows us why.
Joseph Williams, University of East Anglia, UK.
'What does it mean to be working class in the twenty-first century, decades after industrial jobs and strong unions have given way to low-wage service jobs, contingent labour, and precarity? This book traces how deindustrialisation literature wrestles with this question, revealing how class itself is being reimagined and reshaped by economic restructuring and neoliberalism - while also introducing readers to a range of engaging and entertaining books worth reading'.
Sherry Lee Linkon, Georgetown University, USA.
'This book makes a compelling case for the intersections between class and contemporary literature. It brings the academic study of working-class writing bang up to date'.
Nicola Wilson, University of Reading, UK.
Phil O'Brien has written on working-class fiction and theatre for Textual Practice and Literature & History and in Accelerated Times: British Literature in Transition (Cambridge University Press) and Working-Class Writing: Theory & Practice (Palgrave). He is secretary of the Raymond Williams Society, on the editorial board of Key Words, and editor of Culture & Politics (Verso) by Raymond Williams. He has taught at the University of Manchester and Liverpool John Moores University. This is his first book.
Introduction: Class, Culture, Politics
Part One: Mapping Deindustrialisation
Chapter One: David Peace and the Strike Novel: Conflict, History, Knowledge
Chapter Two: Gordon Burn and Working-Class Nostalgia: Region, Form, Commodification
Chapter Three: Anthony Cartwright and the Deindustrial Novel: Realism, Place, Class
Part Two: Resisting Demonisation
Chapter Four: Ross Raisin and Class Mourning: Masculinity, Work, Precarity
Chapter Five: Jenni Fagan and the Revolting Class: Gender, Stigma, Resistance
Chapter Six: Sunjeev Sahota and the Racialised Worker: Class, Race, Violence
Conclusion: Class Matters