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Nanotechnologies in the Conservation of Cultural Heritage Piero Baglioni

Nanotechnologies in the Conservation of Cultural Heritage By Piero Baglioni

Nanotechnologies in the Conservation of Cultural Heritage by Piero Baglioni


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Nanotechnologies in the Conservation of Cultural Heritage Summary

Nanotechnologies in the Conservation of Cultural Heritage: A compendium of materials and techniques by Piero Baglioni

This book presents novel applications of nanotechnology for the preservation of artistic and historical artifacts. It explains the scientific principles behind numerous nanomaterials and discusses their applications to different types of common movable and fixed artistic substrates. It starts with an overview of the nano-tools developed over the last three decades, such as dispersions of nanoparticles, micellar solutions, microemulsions and gels. Compared to traditional methods, these new tools have the benefit of considerably less impact on both the operators and the environment. Each chapter is dedicated to a specific type of cultural heritage material (wall and easel paintings, stone, paper, canvas and wood) starting with the main degradation paths and discussing protocols for the application of innovative nanomaterials-based tools for cleaning, consolidation, or deacidification, which represent the majority of the case studies encountered in restoration facilities, workshops and ateliers. The book provides step-by-step descriptions that are meant to support conservators in the application of these novel materials and methods. The aim of the book is to equip end-users and conservators with essential information and knowledge on the availability and applicability of different nano-materials and dispersed systems. While the books focus is on the practical aspects, interested readers will also find references to the relevant advanced colloid and material science literature.

Main audience: Expert conservators, restorers and technical staff at conservation institutes and museums, students at conservation and restoration schools, and scientists who are new to the field of conservation of artistic and historical artifacts.

About Piero Baglioni

Piero Baglioni is a full professor of PhysicalChemistry and lecturer of Physical Chemistry at the Department of Chemistry ofthe University of Florence. He isthe Director of the Center for Colloid andSurface Science (ConsorzioInteruniversitario per lo Sviluppo dei Sistemi a Grande Interfase - CSGI); heis in the Advisory Board of several international journals, International organizations, and member of several national and internationalinstitutions, industries, and learned societies (e.g the European Academy ofScience; the Royal Academy of Artand Science in Goteborg, Sweden; the AmericanChemical Society; the European Colloids and Interface Society; the EuropeanSociety for Neutron Spectroscopy; Accademia delle Arti delDisegno - the oldestAcademy in Italy). PieroBaglioni is author of about 400 publications on books and journals and 26 patents(5 of which in connection with artrestoration). He was recipient of international prizes for his contribution to Conservation of Cultural Heritageand to the synthesis of nucleolipids, such asLifetime achievements for thecontribution to Colloids and InterfaceScience (JCIS), the Caballero Aguila (The most prestigious recognition fromNational agency for conservation in Mexico), the Gran Prix for InnovationAwardand from the European Colloids and Interface Society (ECIS). Themethods for the conservation of artistic and historical objects introduced byhis group have been widely acknowledged.

David Chelazzi received hisMasters degree in Chemistry at theUniversity of Florence in 2003, with a thesis work developed at the EuropeanLaboratory for Non-Linear Spectroscopy(L.E.N.S.). In 2007 he received his PhDon Science for Cultural Heritage Conservation at CSGI, on the development ofphysico-chemical methodologies for the conservation of paper and woodworks ofart. Post-doc experience included a scholarship at the Centre de Restaurationdes Musees de France (C2RMF) in Paris (Palais du Louvre), on the aging andremoval of adhesives usedfor the lining of paintings.
As of 2010 he is a Research Fellow atCSGI -Department of Chemistry of the University of Florence, hisresearch work focuseson thedevelopment of nanomaterials for the conservation andpreservation of movableand immovable works of art.He is the author of 30 publications in the field of conservation ofcultural heritage materials.

RodoricoGiorgireceived his degree in Chemistry (physical-chemistrycurriculum) in 1996, at the University of Florence, and in 2000 his PhD inScience for the Conservation of CulturalHeritage at the same University, withProf. Piero Baglioni as Advisor. He is currently research fellow at theDepartment of Chemistry of the University of Florence and CSGI, national CenterforColloid and Surface Science. Giorgi's main research interests are inphysico-chemical characterization of materials, investigation of degradation processesand development of nanotechnologyfor the conservation of different works ofart materials, such as wall and canvas paintings, stone, paper, parchment, andarchaeological wood. Giorgi is author of about 100 publications in thefield ofnanoscience application to cultural heritage conservation.

Table of Contents

Preface.- About the Authors.- Innovative Nanomaterials: Principles, Availability and Scopes.- Consolidation of Wall Paintings and Stones.- Cleaning of Wall Paintings and Stones.- Cleaning of Easel Paintings.- Deacidification of Paper, Canvas and Wood.

Additional information

NPB9789401793025
9789401793025
9401793026
Nanotechnologies in the Conservation of Cultural Heritage: A compendium of materials and techniques by Piero Baglioni
New
Hardback
Springer
2014-12-04
144
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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